情婦
時(shí)常無(wú)所事事在街頭閑晃的奧利弗(杰拉爾?德帕迪約暫無(wú)內(nèi)容Gérard暫無(wú)內(nèi)容Depardieu暫無(wú)內(nèi)容飾)和朋友偶然來(lái)到了艾蓮娜(布魯?歐吉爾暫無(wú)內(nèi)容Bulle暫無(wú)內(nèi)容Ogier暫無(wú)內(nèi)容飾)的家里推銷書(shū)籍,卻陰差陽(yáng)錯(cuò)的進(jìn)入到后者在自家的工作室——一個(gè)充滿變態(tài)用具的地下室,原來(lái)艾蓮娜是一個(gè)向眾多男子提供虐待服務(wù)的高級(jí)妓女。奧利弗被拉入?yún)⑴c了一次游戲后,便不能自已的愛(ài)上了美麗性感的艾蓮娜,并且隨即邀請(qǐng)她吃飯,兩人走到了一起。艾蓮娜經(jīng)常在早上接到老板的任務(wù)電話,隨后進(jìn)入地下室“招待”她的客人們。奧利弗不愿艾蓮娜耽于如此生活,向她的老板索取報(bào)酬,并且要其放過(guò)艾蓮娜。艾蓮娜得知這個(gè)消息后卻勃然大怒,對(duì)奧利弗惡語(yǔ)相向
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幸福2024
洼冢愛(ài)流,蒔田彩珠調(diào)味的房子
西恩·帕特維,安娜·沃爾頓,羅?!ご?凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧大怪獸加美拉
船越英二,北原義郎,浜村淳,大山健二,吉田義夫,左卜全,村田扶實(shí)子,大葉健二狂鯊風(fēng)暴
菲比·黛內(nèi)芙,杰曼·翰蘇,科斯塔·德安杰洛,馬特·納夫萊,惠特尼·皮克,艾莉拉·布朗,史泰西·克勞森,以利亞·昂格瓦里,安德魯斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·漢森別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚(yáng),Lizet Upia,Hannah Wimbrey,Dominique Toney挑戰(zhàn)未來(lái)
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至尊馬蒂
提莫西·查拉梅,格溫妮斯·帕特洛,敖德薩·阿德隆,凱文·奧利里,泰勒·奧康馬,桑德拉·伯恩哈德,阿貝爾·費(fèi)拉拉,喬什·伯恩,亞歷山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,蓋佐·羅赫里格,法蘭·德瑞雪,弗朗西斯·杜莫里耶,凱文·??藸査诡D,約里斯·斯圖克,克里斯蒂安·伊格弗丹斯,布萊克·吉奧維蒂,斯賓塞·格蘭斯,托雷·希爾為了實(shí)現(xiàn)一個(gè)無(wú)人相信的偉大夢(mèng)想,馬蒂去了一趟地獄?! ∧贻p迷人的馬蒂,渴望名聲、榮耀,以及遙不可及的“世界乒乓球冠軍”頭銜。為了夢(mèng)想,他什么都能做到。穿越紐約、巴黎、倫敦、開(kāi)羅與東京,他在無(wú)數(shù)的挫折與考驗(yàn)中前行,遇見(jiàn)了摯友、戀人與伙伴,也一次次在勝敗之間重生。最終,他開(kāi)創(chuàng)了自己的偉大道路,也領(lǐng)悟了榮光的真正意義。
微笑的山谷
米凱萊·里翁迪諾,羅馬納·馬喬拉·韋爾加諾,Giulio Feltri帶著過(guò)往傷痛,塞吉?dú)W只身一人前往「微笑之村」擔(dān)任代理教師。這座對(duì)負(fù)能量零容忍的小鎮(zhèn),明明曾遭逢巨變,居民們卻笑口常開(kāi)。原來(lái),讓這座微笑之村風(fēng)光明媚的秘方,是一位能吸取人間苦痛的男孩,他的身體如祭壇,透過(guò)擁抱承擔(dān)全村的悲傷。他為人搭建快樂(lè)天堂,自己卻陷入無(wú)盡黑暗。塞吉?dú)W與男孩的相遇,攪亂了鎮(zhèn)上的平衡;那座煉獄之門,也終將反向人間敞開(kāi)。
異形怪胎
布魯克·亞當(dāng)斯,詹姆斯·凱倫,麗莎·庫(kù)卓,凱西·格里芬,Jeff Hayenga薇吉妮亞(布魯克亞當(dāng)斯)與老公(杰夫海恩嘉)為了想生個(gè)孩子,用盡了一切辦法,在求教過(guò)一位專門治療不孕癥的專家(詹姆斯凱倫)后,最后終于如愿以償?shù)爻晒κ茉小?原本滿心期待當(dāng)媽媽的薇吉妮亞,卻發(fā)現(xiàn)自己的身體起了不該發(fā)生的詭異變化,當(dāng)夫妻倆發(fā)現(xiàn)這個(gè)尚未出生的孩子竟是項(xiàng)瘋狂實(shí)驗(yàn)的成果時(shí),卻為時(shí)已晚,薇吉妮亞腹中的「胎兒」已成了兩人無(wú)法擺脫的惡夢(mèng)…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
侏羅紀(jì)公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費(fèi)雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾哈蒙德(理查德?阿滕伯勒 Richard Attenborough 飾)立志要建立一個(gè)非同尋常的公園:恐龍將是這個(gè)公園的主角。他把眾多科學(xué)家收歸旗下,利用琥珀里面困住的遠(yuǎn)古蚊子體內(nèi)的血液,提取出恐龍的基因信息,利用這些信息培育繁殖恐龍。結(jié)果如愿以償,他把怒布拉島建立成了一個(gè)恐龍公園,堅(jiān)信可以從中賺取大錢。然而,科學(xué)家們則憂心忡忡。 不幸的事情果然發(fā)生了。雖然公園有電腦系統(tǒng)管理,但卻因?yàn)楸粏T工破壞而造成了無(wú)法挽救的失控:所有的恐龍?zhí)映隽丝刂茀^(qū),人們紛紛逃竄卻逃不過(guò)恐龍的魔爪??铸堊韵鄽垰ⅲ藗円嗨离y無(wú)數(shù),最后幸存者寥寥,只得四人逃出生天。怒布拉島上空彌漫著恐怖的氣息。