OL誘惑之各自各精彩

? 1.3 播放：74萬 2026-04-26

一間屋子里住著三個(gè)不同性格，背景回異的女性。Mon是一個(gè)上進(jìn)的現(xiàn)代女性，從事風(fēng)險(xiǎn)極高的金融行業(yè)，渴望能在工作中覓得如意金龜婿。lda在大酒店內(nèi)工作，與男友Andy共建小天地。Andy被裁員后不肯屈就低薪職位，終日呆在家中。Lda多次勸解無效，兩人最吵鬧分手。Jojo是個(gè)全無人生目標(biāo)的都市浮游生物，熱情奔放，豁達(dá)開朗，在酒吧內(nèi)做陪酒工作，以為追求到轟轟烈烈的愛情，便無悔今生。她在十四、五歲時(shí)便與阿俊生有一女，后來阿俊入獄 

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? 播放 OL誘惑之各自各精彩

劇情提要

一間屋子里住著三個(gè)不同性格，背景回異的女性。Mon是一個(gè)上進(jìn)的現(xiàn)代女性，從事風(fēng)險(xiǎn)極高的金融行業(yè)，渴望能在工作中覓得如意金龜婿。lda在大酒店內(nèi)工作，與男友Andy共建小天地。Andy被裁員后不肯屈就低薪職位，終日呆在家中。Lda多次勸解無效，兩人最吵鬧分手。Jojo是個(gè)全無人生目標(biāo)的都市浮游生物，熱情奔放，豁達(dá)開朗，在酒吧內(nèi)做陪酒工作，以為追求到轟轟烈烈的愛情，便無悔今生。她在十四、五歲時(shí)便與阿俊生有一女，后來阿俊入獄 

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　　夢(mèng)想成為一名“神探”的面館兒小老板林勝利，意外卷入一起“謀殺騙?！钡年幹\中，善良正義的他利用多年自學(xué)的推理知識(shí)及縝密的邏輯思維能力，攜手律師朱敏一起抽絲剝繭，避免了悲劇發(fā)生，最終將壞人繩之以法。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.