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古曼童
辛迪·米蘭達(dá),納塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman Esquivel跟我○○○就能紅
青山泰菜,竹田光稀,円谷優(yōu)希,十代修介,富樫未來(lái),佐藤仁,森岡里世,大地洋輔,八木將康,川瀨陽(yáng)太壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾愛(ài)情背叛
莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼瀉湖惡棍
珍娜·卡蘭,格雷格·多爾查克,托里·埃利斯三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達(dá)范,沙爾曼·喬希,奧米·瓦依達(dá),博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安同類(lèi)推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
正義聯(lián)盟:無(wú)限地球危機(jī)(下)
凱緹·薩克霍夫,迪恩·文特斯,馬克·哈米爾,寇瑞·斯托爾,雅士利·伯奇,布萊恩·布魯姆,布雷特·道頓,凱文·康瑞,杰森·斯皮薩克,艾爾西亞·羅塔魯,辛希亞·卡耶·麥克威廉姆斯,爾瑪·泰勒Trapped in a pocket universe, surviving Earths face annihilation by the Anti-Monitor. Time shatters, bringing past heroes to aid Justice League against the epitome of evil. Their sacrifice may lead to victory.
哈留恩佩與邪惡祭司
Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee在芬蘭警局供職多年的Timo,每天都周旋于形形色色的兇案罪犯之間,長(zhǎng)年疲于工作,使得他疏于對(duì)家人的照顧。女兒在一次意外的派對(duì)中遭人強(qiáng)奸,成為他心中揮之不去的陰影。此時(shí),一名神秘案犯走進(jìn)了他的生活,提莫如何在重重陰霾下抓出真兇……
二狗返鄉(xiāng)記
馬燦燦,李棟,胡雙全,柳秉鈺,梁棟,陶源品性憨直,風(fēng)趣幽默,農(nóng)村吃百家飯長(zhǎng)大的孤兒石二狗,在城市打工意外獲得彩票大獎(jiǎng)五百萬(wàn),之后,他風(fēng)風(fēng)火火的回到老家,借著酒勁給鄉(xiāng)親們發(fā)錢(qián),并且還想憑這五百萬(wàn)娶村長(zhǎng)的女兒石金鳳,但是卻遭到石金鳳的嘲笑,于是他發(fā)奮要為老家人民做點(diǎn)大事——修路,將修路的工程包給了金鳳城里的男朋友胡大光,以這樣顯示他的大度并期望博得金鳳的歡喜,可是卻由于經(jīng)驗(yàn)的缺失和文化知識(shí)的不足,被胡大光給蒙混了,手上的錢(qián)都讓胡大光騙走了,連答應(yīng)給村里修小學(xué)的錢(qián)也被騙的一光二凈,二狗又成了一個(gè)身無(wú)分文的窮光蛋。 二狗有錢(qián)的時(shí)候,在眾多人中招聘了韓美華作為村里學(xué)校的老師,現(xiàn)在二狗沒(méi)錢(qián)了,本以為韓美華會(huì)離開(kāi)石頭村,但是由于二狗的善良和執(zhí)著,早已深深的打動(dòng)了美麗聰明的城里女孩韓美華。韓美華利用自己的經(jīng)驗(yàn)和智慧聯(lián)手以前一直瞧不起二狗的村民們,為二狗打贏了官司。最后在韓美華的指引和村民們的幫助下,石二狗憑借自己堅(jiān)韌的毅力,白手起家,帶領(lǐng)百姓發(fā)家致富開(kāi)創(chuàng)了嶄新的事業(yè)。
再見(jiàn)了假面騎士電王
桜田通,佐藤健,中村優(yōu)一,神田沙也加,秋山莉奈,松本若菜,松元環(huán)季,石丸謙二郎,松村雄基2008年1月の放送終了後も根強(qiáng)い人気を誇る「仮面ライダー電王」の最後の戦いを描く劇場(chǎng)版第3弾。世間で噂の幽霊列車(chē)について調(diào)査を開(kāi)始したモモタロスたちの前に、“仮面ライダー幽汽”が立ちはだかる。なんとその正體は、誘拐された電王?良太郎だった。モモタロスや新たに電王となった幸太郎らは、良太郎の言葉を手がかりにデンライナーで300年前へと向かう。新電王?幸太郎を演じるのは「アクエリアンエイジ 劇場(chǎng)版」の桜田通。