錄影片段

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

犯罪讀者俱樂(lè)部

一群年輕人在一個(gè)服裝笑話中串謀，以致命的事故和沉默的協(xié)議告終，一群年輕人將受到一位匿名作家的威脅，他想揭露他的黑暗秘密。他們的跟蹤者威脅要在社交媒體上發(fā)布一本以他們?yōu)樵偷难瓤植佬≌f(shuō)。每一章都會(huì)有一個(gè)人死去。由于彼此不信任，這群人將在大學(xué)校園中央開(kāi)始一場(chǎng)生存之戰(zhàn)。他們中的任何一個(gè)人都有可能成為下一個(gè)受害者，或者兇手。

閣樓上的女孩

　　一名年輕女子在回家途中遭綁架，并被鎖在綁匪家的閣樓里。一年后，在綁匪坐輪椅的母親的幫助下，她制定了逃跑計(jì)劃。

極限審判

 警探雷文（克里斯·帕拉特 飾）突遭指控，陷入殺妻疑云，被推上由AI判官裁決的審判席。90分鐘倒計(jì)時(shí)啟動(dòng)，他必須借助AI“天眼”系統(tǒng)，在海量數(shù)據(jù)中尋找翻盤(pán)證據(jù)，推翻指向自己的致命結(jié)論，否則將被當(dāng)庭處死。然而，調(diào)查越深入，嫌疑人越多，數(shù)據(jù)卻不斷自我驗(yàn)證、層層鎖死真相。當(dāng)算法 構(gòu)成無(wú)法破解的死局，人類(lèi)還能否掙脫系統(tǒng)的最終裁決?

毛骨悚然撞鬼經(jīng)25周年特別篇

北地獵人

　　In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.