我不是賣春女

天鵝中的狼

毛骨悚然撞鬼經(jīng) 2006夏季特別篇

　　《在斷崖下》：青年蒲岡大輝（伊藤淳史 飾）將車停在懸崖旁和女友幽會(huì)，突然一股神秘的力量將汽車推向懸崖；《6號(hào)房間》：女高中生久保有紗（堀北真希 飾）和長(zhǎng)澤美奈子等朋友去唱卡拉OK，自從她們使用過(guò)詭異的6號(hào)房間后，美奈子就變得分外怪異；《不可思議的時(shí)間》：為了趕上即將進(jìn)行的世界杯比賽轉(zhuǎn)播，小職員白石大吾（平岡祐太 飾）匆匆搭上一輛計(jì)程車，卻在很短的時(shí)間內(nèi)經(jīng)歷了一段漫長(zhǎng)的旅程；《四疊半的貴婦人》：森三中的大島美幸買到一只精致的茶杯，隨茶杯一同來(lái)到她家的還有一個(gè)身穿洋裝的貴婦人；《體驗(yàn)者》：市場(chǎng)調(diào)研人員今泉誠(chéng)一（高島政伸 飾）在某超市調(diào)查期間，發(fā)現(xiàn)店員似乎正被某個(gè)看不見(jiàn)的女人所侵?jǐn)_；《病棟的絨毛玩具》：某所醫(yī)院有一只泰迪熊毛絨玩具，所有把玩它的老人都回去世。

極度失眠

　　1997年，一部來(lái)自挪威的驚悚片《失眠者》上映后獲得好評(píng)，《芝加哥太陽(yáng)報(bào)》的著名影評(píng)人羅杰，艾伯特給出了3星半的高分，他盛贊該片“不僅僅是一部驚悚片或動(dòng)作片，而是一次心理學(xué)上的探索與學(xué)習(xí)”。兩犯罪調(diào)查者到挪威北方一個(gè)鎮(zhèn)幫助解決一個(gè)年輕的女孩的謀殺案，誰(shuí)知陷入了巨大的困境之中。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

破壞欲

　　在父親的生日宴會(huì)上，一面鏡子的突然碎裂讓吉娜（琳娜·海蒂 Lena Headey 飾）和眾人感到了深深的不安。第二天，吉娜來(lái)到工作的醫(yī)院，卻被告知就在不久之前自己剛剛離開(kāi)了醫(yī)院。對(duì)于這一異象，吉娜只以為是同事眼花，但之后發(fā)生的事情卻讓她再也無(wú)法保持平靜——無(wú)論是大街上正在行駛的紅色越野車，還是車中所坐的女子，皆和吉娜完全相同?！　o(wú)法控制自己好奇心的吉娜尾隨女子來(lái)到了一幢公寓，過(guò)后，吉娜遭遇了慘烈的車禍。為了療傷，吉娜開(kāi)始和男友斯蒂芬（梅爾維爾·珀波 Melvil Poupaud 飾）同居，她將她的所見(jiàn)所聞告知了男友，后者卻認(rèn)為她不過(guò)是腦部受到了創(chuàng)傷，吉娜陷入了無(wú)盡的恐懼和懷疑之中。