即刻觀影
劇情賞析
編輯推薦
真實(shí)的謊言
阿諾·施瓦辛格,杰米·李·柯蒂斯,湯姆·阿諾德,比爾·帕克斯頓,蒂亞·卡雷爾,阿特·馬里克,艾麗莎·杜什庫,格蘭特·赫斯洛夫,查爾頓·赫斯頓,馬紹爾·曼尼什,詹姆斯·艾倫,迪特爾·勞特爾,簡(jiǎn)·莫里斯,卡齊·查普爾,克麗絲蒂娜·懷勒,奧弗·薩姆拉哈里（阿諾?施瓦辛格 Arnold Schwarzenegger 飾）是美國(guó)FBI的高級(jí)特工，他正在奉命調(diào)查一起跨國(guó)核武器走私案件。出于安全考慮，哈里連結(jié)婚15年的妻子海倫（杰米?李?柯蒂斯 Jamie Lee Curtis 飾）都沒有告訴他的真實(shí)身份?！ 『愂且幻胀ò最I(lǐng)，平凡的生活已令她心生厭倦。一次，汽車商西蒙假扮FBI特工，溜到海倫家謊稱自己被人追殺。緊張刺激的經(jīng)歷很快令海倫著迷?！ ∵@一切都沒有逃過真正的FBI特工哈里眼睛。哈里利用間諜偵查手段令到西蒙洋相百出，并化妝成法國(guó)人正欲調(diào)戲海倫時(shí)，被恐怖分子突然襲擊，兩人被挾持到一個(gè)熱帶小島。哈里和海倫最終能否逃出生天，挫敗恐怖分子陰謀？
終端
瑪格特·羅比,西蒙·佩吉,德克斯特·弗萊徹,麥克·梅爾斯,馬克斯·艾恩斯,卡塔莉娜·凱斯,尼克·莫蘭,Les Loveday,卓丹·鄧,馬修·劉易斯,托馬斯·圖爾格斯,杰伊·辛普森,羅伯特·古德曼,保羅·雷諾茲在這個(gè)神祕(mì)又黑暗的城市裡，犯罪，只是家常便飯。被絕癥折磨的教師比爾（賽門佩吉飾演）試圖自我了斷，但始終想死卻死不成。某日，比爾在深夜的咖啡廳裡結(jié)識(shí)了美豔金髮女服務(wù)生安妮（瑪格羅比飾演）。兩人竟因?yàn)椤溉绾纬晒ψ詺ⅰ惯@話題而打開話匣子，培養(yǎng)出一段詭異友誼…。而在城市的另一角落，兩位正在執(zhí)行危險(xiǎn)任務(wù)的殺手（麥斯艾朗、戴克斯特佛萊契飾演），為了獲得高額賞金在城市之間來回奔走，急切想要找到暗殺目標(biāo)的線索…?！ ∪欢拱嗑l(wèi)（麥克邁爾斯飾演）的出現(xiàn)，竟意外牽起這兩組貌似毫無關(guān)聯(lián)的人物。隨著一樁又一樁的犯罪事件發(fā)生，也逐漸揭露出眾人的神秘過去，以及交織而成的愛恨情仇。最終，他們發(fā)現(xiàn)自己全被捲入一場(chǎng)錯(cuò)綜複雜的犯罪大計(jì)。究竟他們能否找出事實(shí)真相？而事件背後的神秘主謀又是誰呢？
百燭游戲2
Magui Bravi,Nacho Francavilla,Josefina Fari?aA team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.
暴風(fēng)雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi VernovUpon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫碧時(shí)空的轉(zhuǎn)換，現(xiàn)在與未來的穿梭，都在杰克（亞德里安·布洛迪 Adrien Brody 飾）身上神奇的發(fā)生著。他本來是一個(gè)參與過海灣戰(zhàn)爭(zhēng)的美國(guó)軍人。意外中彈令他喪失了記憶，成為一個(gè)失憶者。繼而更倒霉的是，他被警方認(rèn)作殺人疑犯拉回審訊。因?yàn)榕卸榫窦膊。芸嗣庥谧?，只是被帶到精神病院，作為某?xiàng)科學(xué)實(shí)驗(yàn)的樣品?！ ♂t(yī)生為杰克穿上了緊身衣物，把他放進(jìn)停尸間。這里黑暗冰冷，只剩下零散的記憶碎片陪伴杰克。碎片中有著他將來的模樣，有著一個(gè)心愛的叫杰基（凱拉·奈特利 Keira Knightley飾）的女子，更有著自己快要死去的訊息。在記憶中看到將來的杰克，在一線希望中尋找著通往生機(jī)的鑰匙。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.