性女孩12

★ 7.4 播放：32萬 更新：2026-04-29
主演：?? ?? ?? 

兩個(gè)男人愛一個(gè)女人。瑞妍每次在兩個(gè)男人之間選擇她想與之建立關(guān)系的人。Jin-Woo 和 Dong-Hyeon 在為 Seo-Yeon 服務(wù)時(shí)競(jìng)爭(zhēng)。我不認(rèn)為這種關(guān)系很奇怪。其實(shí)，在兩人之間做出不情愿的選擇是有原因的……最終贏得徐妍愛的男人會(huì)是誰？ 年輕男女永無止境的愛情故事才剛剛開始。

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劇情簡(jiǎn)介

兩個(gè)男人愛一個(gè)女人。瑞妍每次在兩個(gè)男人之間選擇她想與之建立關(guān)系的人。Jin-Woo 和 Dong-Hyeon 在為 Seo-Yeon 服務(wù)時(shí)競(jìng)爭(zhēng)。我不認(rèn)為這種關(guān)系很奇怪。其實(shí)，在兩人之間做出不情愿的選擇是有原因的……最終贏得徐妍愛的男人會(huì)是誰？ 年輕男女永無止境的愛情故事才剛剛開始。

導(dǎo)演精選

AI 愛上你

　　一個(gè)故障百出的 AI 機(jī)械人正面臨被淘汰的命運(yùn)，卻因愛上一個(gè)女人而躲進(jìn)一個(gè)男人的血肉之軀，用盡千方百計(jì)奪取芳心。

水底驚魂

　　陽光明媚的日子里，約翰（丹尼爾·佐瓦特 Daniel Zovatto 飾）和凱蒂（邦妮·戴尼森 Bonnie Dennison 飾）、麥特（克里斯·克羅伊 Chris Conroy 飾）、齊克（格里芬·紐曼 Griffin Newman 飾）、西蒙（約翰尼·奧希尼 Jonny Orsini 飾）和黛比（Mackenzie Rosman 飾）等五名好友，驅(qū)車來到一個(gè)毗鄰湖邊的僻靜所在進(jìn)行他們畢業(yè)前的紀(jì)念派對(duì)。他們劃著小船來到湖中央，曾經(jīng)有著恐怖記憶的約翰對(duì)這片水域頗多忌憚，但是他膽大妄為的伙伴們則競(jìng)相跳入水中，享受戲水的快樂時(shí)光。誰知好景不長(zhǎng)，先是小船遭到猛烈碰撞，接著黛比被一條怪魚咬傷致死?！　∧贻p人的噩夢(mèng)由此展開，他們的磨難還未就此結(jié)束，嗜血獵手漸次向他們逼近……

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.