妻子的校友2

★ 7.9 播放：59萬 更新：2026-04-30

女主跟丈夫婚后，發(fā)現(xiàn)丈夫的能力越來越弱，越來越無法滿足自己，便向姐姐吐槽，姐姐不以為意，并稱這為正常現(xiàn)象，女主向姐姐請教解決辦法，原來姐姐背著自己的丈夫，在外面有不少情夫，還推薦給女主認(rèn)識，女主好奇的結(jié)識了一個能力強勢的男人，令人驚訝的是，這個男人竟然是自己曾經(jīng)同校的校友....

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劇情簡介

女主跟丈夫婚后，發(fā)現(xiàn)丈夫的能力越來越弱，越來越無法滿足自己，便向姐姐吐槽，姐姐不以為意，并稱這為正常現(xiàn)象，女主向姐姐請教解決辦法，原來姐姐背著自己的丈夫，在外面有不少情夫，還推薦給女主認(rèn)識，女主好奇的結(jié)識了一個能力強勢的男人，令人驚訝的是，這個男人竟然是自己曾經(jīng)同校的校友....

導(dǎo)演精選

全面營救

　　The film, which marks the directorial debut of singer-turned-actor Luke Goss, is currently in post-production. Also starring Goss, alongside Robert Davi and Patricia De Leon, it tells the story of a man who must go to extreme lengths to discover what happened to his kidnapped wife and daughter. Soda intends to launch the film to coincide with the reunion concert tour of Bros., the 1980s' pop band Luke performed in with his brother Matt. The reunion was original intended as a one-off concert at London's O2 Arena on August 19, marking the anniversary of the band's last concert in 1989. However, when that show sold out within a minute of going on sale the tour was expanded to include six further dates at the O2 and at other venues around the U.K. in August

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

不實夢境

　　Lucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.