愛情色香味 (1994)
安（周海媚 飾）和史丹利（方中信 飾）是一對結(jié)婚多年的夫妻，兩人之間雖然有著很深厚的感情基礎(chǔ)，卻因為性生活不協(xié)調(diào)而漸行漸遠。面對史丹利的退縮和避讓，安感到非常的傷心，于是決定和一幫好友前往泰國散心。 安的這一群好友各個都是玩咖，保時捷（張?zhí)m英 飾）只追求現(xiàn)在不奢望永恒，總是輾轉(zhuǎn)在一段又一段的閃戀戀情之間。阿肯（麥兆輝 飾）不相信愛情，只相信身體和身體的碰撞。亞基（曾航生 飾）是一名同性戀者，特殊的性取向讓他在感情的道路上屢屢碰壁。被這樣一群特立獨行的朋友們環(huán)繞著，安漸漸開始懷疑起自己保守的愛情觀來。
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血戰(zhàn)沙漠
邁克爾·C·威廉姆斯,喬·胡爾特拉斯,杰夫·普雷韋特,瓦內(nèi)莎·約翰遜,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir2001年11月，阿富汗加茲尼省。一支來自美國的特種部隊小分隊與CIA探員本杰明·凱恩斯（喬納斯·鮑爾 Jonas Ball 飾）在此碰頭，他們要在當(dāng)?shù)貙ふ乙粋€名叫莫罕默德?阿班的男人。在線人阿布爾（Chems-Eddine Zinoune 飾）的引導(dǎo)下，他們來到據(jù)說莫罕默德藏身的山區(qū)。這里流傳著恐怖的傳說，在半個多世紀前英國就曾有一支上萬人的部隊在此地憑空消失。從特種隊員踏入這片陌生領(lǐng)域的那一刻起，恐怖離奇的事件便如影隨形。隊員們接連失蹤，他們仿佛走入一條通往黑暗世界的不歸之路…… 本片榮獲2008年紐約恐怖電影節(jié)觀眾獎最佳攝影獎、2008年墨西哥圣塔菲電影節(jié)Milagro獎最佳攝影獎。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
全信沒收
馬特·達蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內(nèi)斯特·卡博內(nèi)爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費里爾,奇里爾·保蘭一群邁阿密警察在一間廢棄的藏身屋發(fā)現(xiàn)數(shù)百萬現(xiàn)鈔，彼此之間的信任開始瓦解。隨著外部人士得知充公金額如此可觀，一切變得疑點重重，到底還剩下什么可以相信？又有誰依然值得信賴？
飛砂風(fēng)中轉(zhuǎn)
鄭伊健,陳小春,方中信,余安安,葉璇,陳子聰,劉浩龍和義盛坐館火水（方中信 飾）在篩選馬仔后備軍時，被一個開餐館的廚師火腩（陳小春 飾）所吸引，后者做的叫花雞味道鮮美，令他難忘。從此，他對火腩特別照顧，委以重任。找到了保護傘的火腩可以繼承祖業(yè)，跟妻子（葉璇 飾）夫唱婦隨經(jīng)營義盛小館，并盤算讓兒女進入名校就讀。正在此時，金融危機來臨，方中信遇到困難，堂主之位不保，此時他希望能夠讓火腩做接班人，穩(wěn)定軍心。然而，和義盛開山祖師后人十三妹（余安安 飾）卻力薦剛出獄的兒子燕子文（鄭伊健 飾）出任堂主之位。于是，兩個本不想做堂主的后起之秀被架上了PK臺?；痣钪幌氚残慕?jīng)營自己的飯店，而燕子文則希望進入大學(xué)進修，無心戀戰(zhàn)的兩人將面臨一場怎樣的對決呢？
太平洋戰(zhàn)場
Jesse Richardson,Ellen Williams,Michael Thomson,James Storer,Leigh Walker,Darrell Plumridge,Samuel Peacock,Katie AndersonThat day is seared into the memory of every human being on the planet: the day the world changed. First came the attack on the Philippines. Within days they spread, as though appearing out of nowhere, striking out at more islands, forging a foothold in the South Pacific. Then came the first attack on U.S. soil - Los Angeles - and the reality became clear: our world was at war once again, but this time with an enemy from beyond our galaxy. Now, months later, the fate of the world hangs in the balance as a mission to strike at a key enemy installation deep in enemy territory goes terribly wrong, and the Marines of the 15th Expeditionary Unit are scattered across the island of New Britain, leaderless, and facing impossible odds. Pacific Theater is the story of those Marines: fresh recruits who journey from their homes across the Pacific to the front lines. It is the story of John Blake, a charming Californian surfer who must find the strength to become a leader, Tracey Gleeson, a physics...
天大的事
邵峰,劉惠,韓三明,張瑞雪,張衡平,郭晗該取材于武穴市4000多名黨員下社區(qū)、進小區(qū)，通過黨建引領(lǐng)老舊小區(qū)改造的故事：建于上世紀七、八十年代的老油廠小區(qū)，有9棟樓160多戶居民，是一個典型的無物管、無主管部門、無人防物防的“三無”小區(qū)。這里許多居民亂搭亂建雜物間、小車棚，下水道破損無人維修，生活污水橫流，居住環(huán)境十分惡劣。有條件的住戶外出購房搬離后，又將這里的房子出租出去，導(dǎo)致這兒的居住環(huán)境更加復(fù)雜。龍?zhí)渡鐓^(qū)主任張昊陽借老舊小區(qū)改造之際，做活黨建+的文章，派出社區(qū)片警樊玉鋒任第一支部書記，引導(dǎo)居民開展“法治、德治、自治”。在社區(qū)工作者和小區(qū)黨支部+業(yè)主委員會的共同努力下，解決了一批居民急難愁盼的事，終于讓居住在這里的近千名群眾生活出現(xiàn)了新業(yè)態(tài)。