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棉花軟糖
柯賓·伯恩森,庫(kù)?！趥愃?Kai Cech,Max Malas庫(kù)梅爾·南賈尼：夜間思緒
庫(kù)梅爾·南賈尼點(diǎn)到為止
尹正,潘斌龍,黃才倫,張一鳴,梁超,魏翔,彭昱暢,王成思,宋木子,王韋程,黃允桐,王瑄,蔣詩(shī)萌,東靖川,蕭李臻瑱LAST MAN-全盲搜查官- FAKE／TRUTH
福山雅治,大泉洋,永瀨廉,今田美櫻,松尾諭,今井朋彥,奧智哉,木村多江,吉田羊,松本若菜,吉田鋼太郎,向井康二著牛仔褲的鐘馗
成奎安,葉蘊(yùn)儀,王小鳳,葉子楣冰風(fēng)暴
凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當(dāng)·漢拜德,大衛(wèi)·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼同類推薦
上身
田牧童,劉述,郭星顯,黃伊伊,周炎同居男友許一恒遭遇事業(yè)難關(guān)，此時(shí)女友成心不但發(fā)現(xiàn)自己懷了孕，還獲知許一恒跟閨蜜馬可好上了，而馬可家境殷實(shí)，能夠幫助他渡過絕境。成心因?yàn)樯類?，選擇成全，離開許一恒，并做了人流手術(shù)，不料這胎兒竟成了“嬰靈”點(diǎn)點(diǎn)。后來(lái)點(diǎn)點(diǎn)決定“帶走”成心，慧化大師用佛法感化點(diǎn)點(diǎn)，并將其“交給了佛”。不久成心再受邪祟之?dāng)_，點(diǎn)點(diǎn)冒險(xiǎn)回來(lái)搭救，也還原了真相……借此告誡切莫輕易墮胎，佛門有曰“五逆重罪”，墮胎必是冤孽。
午夜之花
北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之一個(gè)生活在社會(huì)邊緣的母親永島夏希（北川景子 飾），白天在便利店打工，晚上在小酒館兼職，努力維持家庭的溫飽，但為了實(shí)現(xiàn)兩個(gè)孩子的夢(mèng)想，她不得已走上了成為毒販的道路。
殺人漫畫
嚴(yán)基俊,李施吟,金顯祐,吳光祿當(dāng)紅網(wǎng)絡(luò)恐怖漫畫作家姜知允（李詩(shī)英 飾）新作接連問世，備受好評(píng)。而生活中她似乎越來(lái)越分不清現(xiàn)實(shí)和虛幻的界限，不僅經(jīng)常遭遇極度逼真的恐怖噩夢(mèng)，身上還常出現(xiàn)莫名其妙的傷口。某個(gè)夜晚，姜作家的責(zé)編徐美珍以極其殘忍的方式自虐身亡，而其死亡過程和現(xiàn)場(chǎng)慘狀竟與姜作家不久剛剛發(fā)給她的新作內(nèi)容如出一轍。未過多久，又發(fā)生了一起和漫畫內(nèi)容相似的殯儀館殺人事件。盆唐警局刑警琪哲（嚴(yán)基俊 飾）和后輩金永秀（金顯祐 飾）介入調(diào)查，并慢慢追蹤到姜作家鮮為人知的背景?！ ∧藓鐭粝鹿碛按贝?，每個(gè)人心中都有不愿為人知曉的秘密，冤有頭，債有主。因果報(bào)應(yīng)，毫厘不爽……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愿者安息
里法特·桑賈爾,Emrah Altintoprak,Cansu TürediCemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.