留級之王

★ 3.4 播放：43萬 更新：2026-05-03

范?維爾德（瑞恩?雷諾茲 Ryan Reynolds 飾）迎來了他在庫立吉學(xué)院的第七個(gè)新學(xué)年，這位留級之王是學(xué)院內(nèi)的活躍人物，不定期擁有社團(tuán)會長、校園運(yùn)動發(fā)起者以及籃球社中場精神教父等多重身份。來自印度的交換生泰吉（卡爾?潘 Kal Penn 飾）羨慕美國學(xué)生的生活，于是投奔維爾德做了他的助理。維爾德的父親不堪忍受兒子的不長進(jìn)，毅然中斷了對他的資助，原本風(fēng)光的維爾德此時(shí)不得不為了兩萬美元分期交付的學(xué)費(fèi)發(fā)愁。?？浾吒鹞模ㄋ?雷德 Tara Reid 飾）對維爾德大有興趣，貼身采訪撰寫關(guān)于他的報(bào)道，困窘中的維爾德偶然接到有償幫助組織舞會的要求，自此開始從事舞會經(jīng)紀(jì)人以補(bǔ)貼學(xué)費(fèi)，葛文的報(bào)道令維爾德聲名鵲起，而兩人的關(guān)系也越發(fā)密切，這激起了葛文男友的憤怒，他計(jì)劃向維爾德發(fā)起報(bào)復(fù)……?豆瓣

在線播放

劇情簡介

范?維爾德（瑞恩?雷諾茲 Ryan Reynolds 飾）迎來了他在庫立吉學(xué)院的第七個(gè)新學(xué)年，這位留級之王是學(xué)院內(nèi)的活躍人物，不定期擁有社團(tuán)會長、校園運(yùn)動發(fā)起者以及籃球社中場精神教父等多重身份。來自印度的交換生泰吉（卡爾?潘 Kal Penn 飾）羨慕美國學(xué)生的生活，于是投奔維爾德做了他的助理。維爾德的父親不堪忍受兒子的不長進(jìn)，毅然中斷了對他的資助，原本風(fēng)光的維爾德此時(shí)不得不為了兩萬美元分期交付的學(xué)費(fèi)發(fā)愁。?？浾吒鹞模ㄋ?雷德 Tara Reid 飾）對維爾德大有興趣，貼身采訪撰寫關(guān)于他的報(bào)道，困窘中的維爾德偶然接到有償幫助組織舞會的要求，自此開始從事舞會經(jīng)紀(jì)人以補(bǔ)貼學(xué)費(fèi)，葛文的報(bào)道令維爾德聲名鵲起，而兩人的關(guān)系也越發(fā)密切，這激起了葛文男友的憤怒，他計(jì)劃向維爾德發(fā)起報(bào)復(fù)……?豆瓣

導(dǎo)演精選

三十九級臺階

　　音樂廳中傳來槍聲，觀眾們一片驚慌。一位外國女子（露西?曼娜海姆飾）詢問理查德?漢內(nèi)（羅伯特?多納特飾）是否可以在他家中過夜。次日該女子在被殺之前告訴理查德必須阻止間諜組織“三十九級臺階”將國家機(jī)密偷偷送出英國。漢內(nèi)為了證明自己并不是殺人兇手無奈前往蘇格蘭高地尋找線索，在火車上他尋求一位叫做帕梅拉（瑪?shù)铝?卡羅爾飾）的金發(fā)年輕女子幫助，但她卻馬上向警察告發(fā)了他。他找到了“三十九級臺階”的領(lǐng)導(dǎo)人喬丹教授，但隨即被陷害入獄。僥幸逃脫后又由于帕梅拉的告發(fā)被兩位偽裝成便衣警察的人帶走，并且他們還把帕梅拉和他銬在了一起。于是兩人攜手逃脫了出來并取得了互相的信任，然后他們再次回到音樂廳，漢內(nèi)看到了上次就見過的表演。他向號稱可以回答任何問題的“記憶先生”（懷特?沃森飾）提問：“什么是三十九級臺階“，于是……　　希區(qū)柯克曾說“記憶先生“是他最喜歡的角色之一，這個(gè)角色建立在一個(gè)名叫達(dá)塔斯的真人基礎(chǔ)上，他自己小時(shí)候在倫敦看過他的表演。

導(dǎo)師2025

在知名補(bǔ)習(xí)班里，流傳著一個(gè)恐怖傳言：只要在深夜走上被封鎖的四樓，填寫桌上的報(bào)名表，寫下上榜的愿望，不論再困難的考試與科系，都能如愿考取。資優(yōu)生貝兒與好友們前去試膽，愿望竟奇跡般一一成真，卻伴隨著接連不斷的離奇死亡。肩負(fù)母親對醫(yī)學(xué)院的期待，貝兒也在名單上留下自己的名字，自此怪事頻頻纏身；姐姐精神逐漸崩潰，弟弟貝斯為救她挺身而出，決心以自己的名字改寫命運(yùn)。隨著真相逐漸揭開，他們赫然發(fā)現(xiàn)四樓深埋的秘密，竟與一段駭人師生往事緊緊相連……當(dāng)對考試的渴望仰賴超自然力量，而這種成功卻要以生命為代價(jià)時(shí)，是畢業(yè)，還是斃命？他們能夠在瘋癲的教育體制內(nèi)活下來嗎？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.