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琳娜·海蒂,理查德·詹金斯,米歇爾·鄧肯,烏爾里奇·湯姆森,梅爾維爾·珀波,阿斯?fàn)枴ぜ~曼全面營(yíng)救
魯克·高斯,羅伯特·戴維,戴維·費(fèi)爾南德斯,芭芭拉·帕多,帕特里夏·德·萊昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin彼岸2025
瑟比耶·比赫緹婭,弗雷德·赫辛格,Alicher Adill,伊麗努爾·艾爾肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·馬,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃爾·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,瑪瑞娜·卡貝洛,Austin Owens Kelly同類(lèi)精選
導(dǎo)師2025
Sornram Aneklap,帕林亞·昂薩南,塔那萬(wàn)·霍查雷拉哈,尼措空·卡瓊伯利叻,因托楚克·英拓楚克·倥拉瑪蘇皖,Sueangsuda Lawanprasert(情歌)
森崎溫,向井康二,及川光博,藤原大祐,齊藤京子,逢見(jiàn)亮太,筒井真理子,皮拉維·塔奇沙鵬,查隆拉·諾山榮,普雷瓦·蘇坦蓬姽婳
閆鹿楊,姜文軒,趙婉嬌,李鐵軍,劉希媛,宋國(guó)鑫,顏冠英,于飛,于洛熙十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,Ka幸福2024
洼冢愛(ài)流,蒔田彩珠北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達(dá)什·米霍克影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡魔的耳語(yǔ)
盧卡·奧利爾15歲的艾利克斯來(lái)自一個(gè)天主教家庭,他希望自己將來(lái)能成為一個(gè)牧師。當(dāng)他無(wú)意中發(fā)現(xiàn)并打開(kāi)了一個(gè)神秘的盒子之后,放出了一個(gè)一心要占據(jù)他身體的惡魔。艾利克斯必須找到辦法打敗這個(gè)一直在折磨兒童的古老的惡魔,否則將會(huì)毀掉他和所有他愛(ài)的人。
狂野時(shí)代
易烊千璽,舒淇,趙又廷,李庚希,黃覺(jué),陳永忠,郭沐橙,張志堅(jiān),曾美慧孜,閆楠影片講述“迷魂者”(易烊千璽 飾)通過(guò)體驗(yàn)視覺(jué)、聽(tīng)覺(jué)、味覺(jué)、嗅覺(jué)、觸覺(jué)五感,跨越一個(gè)世紀(jì)的故事。而“大她者”(舒淇 飾)則好似是打開(kāi)“迷魂者”故事的鑰匙......
奪魂醫(yī)生
Andrew Prine,Jason London,Carlos Lauchu在一個(gè)肅殺的夜晚,滿身傷痕的女孩西恩娜(艾麗森·蘭格 Allison Lange 飾)跌跌撞撞沖入公路。她隨即被送往醫(yī)院,在探員贊恩(詹森·倫敦 Jason London 飾)的詢(xún)問(wèn)下,驚魂未定的西恩娜終于說(shuō)出了那段恐怖經(jīng)歷?! 芍芮?,她和同在醫(yī)科大學(xué)念書(shū)的好友斯科特(B.J. Britt 飾)、杰森(尼克·霍爾莫斯 Nick Holmes 飾)、本(C.J. Thomason 飾)、夏儂等人結(jié)伴外出游玩。他們駐留在一所古堡,看似一切充滿了刺激和樂(lè)趣,但是這份無(wú)上喜悅很快便蒙上一層陰影。在他們身后,似乎有一個(gè)手執(zhí)手術(shù)刀的奪命醫(yī)生蠢蠢欲動(dòng),死神的腳步越來(lái)越近。這群躊躇滿志的未來(lái)醫(yī)生,儼然成為了手術(shù)臺(tái)上的致命犧牲品……