97風(fēng)流夢

8.9 播放：72萬 更新：2026-04-27

Opens暫無內(nèi)容with暫無內(nèi)容the暫無內(nèi)容lovely暫無內(nèi)容Pin暫無內(nèi)容dreaming暫無內(nèi)容about暫無內(nèi)容great暫無內(nèi)容sex暫無內(nèi)容with暫無內(nèi)容a暫無內(nèi)容bloke暫無內(nèi)容whom暫無內(nèi)容she暫無內(nèi)容soon暫無內(nèi)容meets暫無內(nèi)容in暫無內(nèi)容real暫無內(nèi)容life暫無內(nèi)容–暫無內(nèi)容he’s暫無內(nèi)容a暫無內(nèi)容security暫無內(nèi)容guard暫無內(nèi)容at暫無內(nèi)容her暫無內(nèi)容apartment暫無內(nèi)容block.暫無內(nèi)容There’s暫無內(nèi)容also暫無內(nèi)容a暫無內(nèi)容group暫無內(nèi)容of暫無內(nèi)容voyeur暫無內(nèi)容cops暫無內(nèi)容and暫無內(nèi)容their暫無內(nèi)容captain暫無內(nèi)容Fatty暫無內(nèi)容Pang暫無內(nèi)容who暫無內(nèi)容is暫無內(nèi)容always暫無內(nèi)容losing暫無內(nèi)容on暫無內(nèi)容the暫無內(nèi)容racehorses.暫無內(nèi)容Fatty暫無內(nèi)容spies暫無內(nèi)容on暫無內(nèi)容Pin暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容shower暫無內(nèi)容one暫無內(nèi)容day暫無內(nèi)容and暫無內(nèi)容steals暫無內(nèi)容her暫無內(nèi)容red暫無內(nèi)容underwear.暫無內(nèi)容Pin暫無內(nèi)容keeps暫無內(nèi)容having暫無內(nèi)容lustful暫無內(nèi)容fantasies暫無內(nèi)容and暫無內(nèi)容sometimes暫無內(nèi)容has暫無內(nèi)容sex暫無內(nèi)容wi...

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Opens暫無內(nèi)容with暫無內(nèi)容the暫無內(nèi)容lovely暫無內(nèi)容Pin暫無內(nèi)容dreaming暫無內(nèi)容about暫無內(nèi)容great暫無內(nèi)容sex暫無內(nèi)容with暫無內(nèi)容a暫無內(nèi)容bloke暫無內(nèi)容whom暫無內(nèi)容she暫無內(nèi)容soon暫無內(nèi)容meets暫無內(nèi)容in暫無內(nèi)容real暫無內(nèi)容life暫無內(nèi)容–暫無內(nèi)容he’s暫無內(nèi)容a暫無內(nèi)容security暫無內(nèi)容guard暫無內(nèi)容at暫無內(nèi)容her暫無內(nèi)容apartment暫無內(nèi)容block.暫無內(nèi)容There’s暫無內(nèi)容also暫無內(nèi)容a暫無內(nèi)容group暫無內(nèi)容of暫無內(nèi)容voyeur暫無內(nèi)容cops暫無內(nèi)容and暫無內(nèi)容their暫無內(nèi)容captain暫無內(nèi)容Fatty暫無內(nèi)容Pang暫無內(nèi)容who暫無內(nèi)容is暫無內(nèi)容always暫無內(nèi)容losing暫無內(nèi)容on暫無內(nèi)容the暫無內(nèi)容racehorses.暫無內(nèi)容Fatty暫無內(nèi)容spies暫無內(nèi)容on暫無內(nèi)容Pin暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容shower暫無內(nèi)容one暫無內(nèi)容day暫無內(nèi)容and暫無內(nèi)容steals暫無內(nèi)容her暫無內(nèi)容red暫無內(nèi)容underwear.暫無內(nèi)容Pin暫無內(nèi)容keeps暫無內(nèi)容having暫無內(nèi)容lustful暫無內(nèi)容fantasies暫無內(nèi)容and暫無內(nèi)容sometimes暫無內(nèi)容has暫無內(nèi)容sex暫無內(nèi)容wi...

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

防空洞

維羅尼卡·莫希雷娃,伊戈?duì)枴e特連科,Fyodor Lavrov,Mikhail Novikov,阿列克謝·舍甫琴科夫,亞歷山大·梅喬金,Maksim Saprykin,瑪格麗塔·阿布羅斯金,Nikita Abdulov,迪安·邁耶,Oleg Novikov,Artem Zlobin,Kirill Taskin,Andrey Marusin,Maksim Plekhanov,Maksim Gorshkov,Mikhail Sevastyanov,Daniel Littau,Linda Akhmetzyan

一對朋友，一個(gè)德國人和一個(gè)俄國人，穿越時(shí)空最終來到了1941年。兩位朋友被迫做出決定，并要應(yīng)對他們無法想象的困難。他們的友誼能否度過難關(guān)，保羅和謝爾蓋又會(huì)站在哪一邊？

羅薩里奧

大衛(wèi)·達(dá)斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos

　　蘿賽李?yuàn)W（埃默羅德·圖比亞 飾）是一名成功的華爾街股票經(jīng)紀(jì)人。某天，蘿賽李?yuàn)W接到祖母意外過世的消息，于是前往祖母居住的公寓查看狀況。因?yàn)楸╋L(fēng)雪的關(guān)系，蘿賽李?yuàn)W被迫與祖母的遺體共度一夜。這時(shí)，一股邪惡力量占據(jù)了祖母的遺體，蘿賽李?yuàn)W成為家族世代流傳詛咒的目標(biāo)……。

吉星拱照

周潤發(fā),張艾嘉,鄭丹瑞,利智,黃坤玄,黃家駒,葉世榮,黃家強(qiáng),黃貫中

　　林寶生（周潤發(fā) 飾）是香港富豪，與表妹玉仙（利智 飾）早已訂婚。但寶生并不喜歡未婚妻的庸俗，決定逃婚，并要證明自己能獨(dú)立生活。出走的第一天，他陰差陽錯(cuò)來到了一個(gè)慈善晚會(huì)，認(rèn)識(shí)了晚會(huì)贊助商東東快餐店的老板（夏雨 飾）與其妹妹（張艾嘉 飾），還成為了快餐店的員工之一。寶生與一群善良的同事度過了一段難忘的時(shí)光，他也看到了自己價(jià)值的存在，與老板的妹妹也產(chǎn)生了感情，但他與表妹的婚期將至，他的真實(shí)身份也將浮出水面，而他與老板妹妹的感情又會(huì)如何呢？

母親2020

長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時(shí),仲野太賀,木野花,土村芳,荒卷全紀(jì),大西信滿,淺田芭路

　　本片是根據(jù)實(shí)際發(fā)生的「少年殺害了祖父母事件」的構(gòu)思而改編成電影的嶄新故事。長澤扮演懶散奔放的母親·秋子，挑戰(zhàn)墮入了社會(huì)黑暗面的女人，而阿部サダヲ則飾演與秋子沒有結(jié)婚登記而同居的丈夫·遼，影片將重點(diǎn)刻畫秋子和她年幼的兒子·周平（郡司翔）之間所展開的關(guān)系。