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祖魯
奧蘭多·布魯姆,福里斯特·惠特克北逃
索利曼·克魯茲,Niko Becker,巴特·金戈納,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan Cojocaru諾查丹瑪斯滅亡錄?基因的新世紀(jì)
小松美幸,水橋研二,中丸忠雄,崎山裕一觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘總統(tǒng)班底
達(dá)斯汀·霍夫曼,羅伯特·雷德福,杰克·沃登,馬丁·鮑爾薩姆,哈爾·霍爾布魯克,F·默里·亞伯拉罕,簡·亞歷山大,杰森·羅巴茲蠟筆小新:灼熱的春日部舞者們
小林由美子,楢橋美紀(jì),森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎(jiǎng),賀來賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹同類精選
越戰(zhàn)黑金剛
萊伯·布朗,凱瑟琳·??颂m,克勞迪奧·弗拉加索,盧西亞諾·皮格齊余下的就是沉默
馬魯斯·弗瑞爾·維扎德,奧維度·尼庫勒斯庫,米萊拉·澤塔,米哈伊·格魯亞·桑杜,瓦倫丁·波佩斯庫,尼庫·米霍奇,西爾維烏·比瑞斯四封情書
費(fèi)昂·奧謝,安·斯凱利,皮爾斯·布魯斯南,海倫娜·伯翰·卡特,加布里埃爾·伯恩鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad十二個(gè)想死的孩子
杉咲花,新田真劍佑,北村匠海,高杉真宙,黑島結(jié)菜,橋本環(huán)奈,吉川愛,萩原利久,渕野右登,坂東龍?zhí)?古川琴音,竹內(nèi)愛紗與祖國同在
諾埃爾·考沃德,約翰·米爾斯,伯納德·邁爾斯,西莉亞·約翰遜,凱·沃爾什,喬伊絲·凱里,德里克·艾爾菲斯通,邁克·懷爾登,Robert Sansom,菲利普·佛倫德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐納德,邁克爾·惠特克,Kenneth Carten,約翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,萊斯利·德懷爾,John Singer,John Boxer,約翰尼·斯科菲爾德,沃爾特·菲茨杰拉德,杰拉爾德·凱斯,丹尼爾·梅西,Ann影視排行
獵戰(zhàn)狂徒
鄭楚一,魏曉璇,文東俊,曾晨,鄒兆龍,盧惠光,邢瀚卿,英壯,梁焯滿,閔政,孫蛟龍,王澤宗,王洪千,包小平,任珅,吳豪,徐寧,趙思陌,楊光,朱翔,張振宇故事圍繞緝毒警察何光辰(鄭楚一飾)追查“將軍”販毒集團(tuán)展開。一群“鬼面”狂徒黑吃黑劫走毒品,而幕后主使竟是何光辰的警校摯友(鄒兆龍飾),兩人從并肩立誓到正邪對(duì)立,上演刺刀見紅的生死博弈。劇情通過血腥動(dòng)作場面和兄弟反目的人性掙扎,揭露黑惡勢力真相,最終將罪惡繩之以法。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
時(shí)裝
安吉麗娜·朱莉,阿尼爾·阿內(nèi)伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀(jì)堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費(fèi)尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮在時(shí)裝周的狂熱中,三位女性在巴黎的生活中不期而遇,她們一邊應(yīng)對(duì)著世界的悲劇,一邊思索著自己人生的問題:麥克斯(Maxine),一位40多歲的美國電影導(dǎo)演,發(fā)現(xiàn)自己患上了癌癥;阿達(dá)(Ada),一位年輕的南蘇丹模特,逃離了她注定的命運(yùn),卻被推入了一個(gè)充滿欺騙的世界;安吉爾(Angèle),一位在T臺(tái)幕后默默工作的法國化妝師,夢(mèng)想著逃離自己的生活。
赤紅生死線
尼塔莎·吉拉尤吉恩,艾絲特·蘇普莉拉,Chutima Maholakul,托德薩蓬·邁蘇克,奔弘·奔提維此弓,寶哇麗·彭琵莫,阿卡那·凌米查,戴德·納塔南·昆瓦特三名女子淪為冷血電話詐騙的受害者。為了討回公道,他們決定對(duì)抗奪走他們金錢與尊嚴(yán)的犯罪網(wǎng)絡(luò)。