末班車(chē)后，在膠囊旅館向上司傳遞微熱的夜晚
動(dòng)畫(huà)《末班車(chē)后，膠囊旅館，為上司傳遞微熱的夜晚》接檔《天降女子！》。講述了水火不相容的上司羽田野和部下實(shí)里從在膠囊酒店同住一晚開(kāi)始，二人的異性意識(shí)開(kāi)始互相吸引的愛(ài)情故事。其中也加入了男性模特的慧等登場(chǎng)人物，描繪了女主與兩個(gè)不同類(lèi)型的男性之間的三角關(guān)系，以及各種情況下互相緊貼的場(chǎng)景...
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最后幸存者
德魯·凡·阿克爾,艾麗西亞·希爾維斯通,史蒂芬·莫耶,馬克·法姆吉列蒂,本杰明·亞瑟,Akaash Yadav,Simon LeesThe pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.
充氣情人
朱可兒,王波文,鄒旭峰,袁宗軒潘金蓮（朱可兒 飾）時(shí)候，因?yàn)閷?duì)前世的感情放不下，所以一直在陰間徘徊，遲遲不能轉(zhuǎn)世投胎，在一次企圖逃跑的時(shí)候被鐘馗捉住，為了懲罰潘金蓮，鐘馗給了她十日的期限，讓她重返人間自斷執(zhí)念，否則就要她魂飛魄散，哪知道在誤打誤撞之中，潘金蓮竟然附身在了一個(gè)充氣娃娃的身上，被名為武志（王波文 飾）的男子買(mǎi)回了家?！ 渭兩屏嫉奈渲咀屌私鹕徳俣认嘈帕巳碎g有真愛(ài)，在幫助武志追求心儀的女神的同時(shí)，潘金蓮漸漸愛(ài)上了他，而武志也最終明白誰(shuí)才是最值得托付終身的人，兩人最終心意相通，但是，十日的大限將到，留給他們的時(shí)間不多了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
笑臉殺人狂
羅南·魯賓斯坦,米婭·塞拉菲諾,克里斯平·格洛弗,阿馬迪厄斯·塞拉菲尼,阿什莉·里卡茲,加勒特·科菲,科迪·辛普森,Daniel Covin,Rachel Crowl,Gus Langley,Corey PratherAbout a handsome young soccer player Jake Graham who believes he is going insane, unable to shake the feeling of being stalked by something, by someone.
港之光
館博,尾上真秀,真榮田鄉(xiāng)敦,黑島結(jié)菜,齋藤工,瀧正則,一之瀨亙,山野仁,赤堀雅秋,市村正親,宇崎龍童,笹野高史,椎名桔平由藤井道人執(zhí)導(dǎo)并編劇、與館博二度合作的本片《港之光》，以北陸港口小鎮(zhèn)為背景，描繪了前黑道成員“大叔”與因事故失去雙親及視力的少年幸太之間跨越十余年的友情。片中，大叔通過(guò)“某種方法”籌措資金使幸太重見(jiàn)光明，但彼時(shí)大叔已不在身邊。成長(zhǎng)為青年的幸太相信著“其實(shí)大叔曾是刑警”這個(gè)小小謊言，如同追逐給予自己光明的憧憬之人般，成為了刑警。館博飾演化名三浦的“大叔”，歌舞伎界新星尾上真秀首登銀幕出演少年幸太，真榮田鄉(xiāng)敦詮釋青年幸太。
冒牌人生
史哲文,樊瑞,董祥玉,任重,汪雨升高端帶貨女王陳曼和井已面館墮落胖子齊晟，因?yàn)橐粓?chǎng)意外雙方互換身體，體驗(yàn)了一系列啼笑皆非的故事后最終領(lǐng)悟到人間真情的喜劇愛(ài)情故事。