夜火
一對(duì)不幸的已婚夫婦發(fā)現(xiàn)自己受到了一對(duì)流浪漢夫婦的擺布，他們出現(xiàn)在門(mén)口，聲稱自己的車壞了。他們真的是被丈夫雇來(lái)溫暖妻子的；但事情很快就變得丑陋起來(lái)。
在線看
同款熱播
噪聲
李先彬,金玟錫,全益玲,劉慶秀有聽(tīng)力障礙的珠英（李先彬 飾），與妹妹珠憘（韓秀娥 飾）終于買下夢(mèng)寐以求的新房，卻沒(méi)想到噩夢(mèng)才正要開(kāi)始。 某天起，珠憘開(kāi)始被來(lái)自公寓某處的神秘噪音折磨得身心俱疲。那讓人不耐的樓層噪音，不僅讓她無(wú)法安睡，更像是潛藏某種黑暗秘密的警告。正當(dāng)珠英離家工作時(shí)，珠憘突然失蹤，讓驚慌失措的珠英立刻趕回家，并與珠憘的男友基勛（金珉錫 飾）聯(lián)手追查真相。同時(shí)，住在樓下的神秘男子（柳炅秀 飾）也長(zhǎng)期受噪音困擾，認(rèn)定一切都源于樓上的這對(duì)姊妹，讓他情緒逐漸崩潰，揚(yáng)言要對(duì)她們痛下殺手…… 真相究竟藏在誰(shuí)的耳中？噪音背后，又是誰(shuí)的瘋狂正在近逼？
異形：奪命艦
卡莉·史派妮,戴維·榮松,阿奇·雷諾,伊莎貝拉·莫塞德,斯派克·費(fèi)恩,吳愛(ài)玲,丹尼爾·貝茨,伊安·霍姆,特雷沃·紐林,羅伯特·勃洛克茨基,安妮瑪麗·格里格斯,羅茜·伊德,索瑪·西蒙,本斯·歐科克,維克托·歐利祖影片時(shí)間線設(shè)定在1979年第一部《異形》與1986年的續(xù)集《異形2》之間，圍繞一群年輕而勇敢的太空殖民者展開(kāi)。講述他們?yōu)樘与x外星采礦殖民地的沉悶生活，在冒險(xiǎn)探索一座廢棄的太空站時(shí)，意外遭遇了宇宙中最可怕的生命體——異形?！ —M窄幽暗、危機(jī)四伏的空間站中，大逃殺的序幕已經(jīng)被無(wú)情拉開(kāi)，人類再次成為異形生物捕獵的目標(biāo)。在無(wú)盡的黑暗與死亡威脅的籠罩之下，太空探險(xiǎn)隊(duì)員們能否在每一次心跳的瞬間，察覺(jué)到未知生物潛伏的絲絲寒意？在這場(chǎng)你死我活的追逐戰(zhàn)中，他們將直面怎樣的信任挑戰(zhàn)和道德掙扎？當(dāng)一個(gè)又一個(gè)同伴被殘忍吞噬，求救無(wú)門(mén)的他們究竟能否在這場(chǎng)太空殺戮中尋得一線生機(jī)？
怪物驚魂
碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev某年圣誕節(jié)期間，位于一個(gè)僻靜舒適角落的格蘭達(dá)爾森林旅館正式開(kāi)業(yè)。美麗的女店主阿哈娜（碧帕莎·芭素 Bipasha Basu 飾）為了這一天可謂煞費(fèi)苦心，她以一己之力安排旅館內(nèi)的一切事務(wù)，與此同時(shí)第一批客人也接二連三入住。雖然狀況不斷，不過(guò)旅館的開(kāi)業(yè)儀式總算順利進(jìn)行了下來(lái)，而且她還因誤會(huì)結(jié)識(shí)了擁有迷人氣質(zhì)的客人庫(kù)納爾·阿南德（Imran Abbas 飾）。然而在前一晚，給旅店送貨的司機(jī)遭到不明生物的襲擊，死狀可怖。次日，一對(duì)新婚燕爾的夫妻也在叢林中遇襲?！ 】植赖乃劳鰵夥昭杆俾?，阿哈娜好不容易建立起來(lái)的夢(mèng)想旅館，面臨怪物的無(wú)情毀滅……
全職
勞爾·卡拉米,安妮·蘇亞雷斯,杰納維夫·馬尼奇,Nolan Arizmendi,Sasha Lemaitre Cremaschi,西里爾·蓋伊,露西·加洛,Agathe Dronne,瑪?shù)贍柕隆ろf爾,Dana Fiaque,Mareme N'Diaye,奧利維爾·法利茲,伊琳娜·穆雷勒,Aymeline Alix,Karimouche,Evelyne El Garby Kla?,Céline Perra,Nazareth Agopian,法布里斯·阿夫拉姆,Olivier Hardoui朱莉在巴黎一家豪華酒店打工，工作非常辛苦，還要努力照顧在鄉(xiāng)下的兩個(gè)孩子。后來(lái)，她得到了一個(gè)期待已久的工作面試機(jī)會(huì)，但一場(chǎng)全國(guó)性的罷工爆發(fā)了，導(dǎo)致公共交通系統(tǒng)陷入癱瘓。一直以來(lái)，朱莉努力在生活中維系著一種平衡，而這種脆弱的平衡被突發(fā)事件所打破。為了得償所愿，她冒著隨時(shí)都會(huì)碰壁乃至失去一切的風(fēng)險(xiǎn)，開(kāi)始了一場(chǎng)與時(shí)間的瘋狂賽跑。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鐵血戰(zhàn)士：獵物
安伯·明迪桑德,達(dá)寇塔·比弗,戴恩·迪利格羅,斯托米·基普,米歇爾·史拉斯,朱利安·布萊克·安蒂洛普,斯蒂芬·馬蒂亞斯,Bennett Taylor,Mike Paterson,Nelson Leis,Tymon Carter,斯凱·佩列蒂耶,Harlan Blayne Kytwayhat,Corvin Mack,塞繆爾·馬蒂本片以300年前的科曼奇族為背景，講述了一個(gè)名叫納魯?shù)哪贻p女子的故事，她是一位兇猛且技藝高超的戰(zhàn)士。她在大平原上一些傳奇的獵人陰影下長(zhǎng)大，所以當(dāng)危險(xiǎn)威脅到她的營(yíng)地時(shí)，她要保護(hù)她的族人。當(dāng)她發(fā)現(xiàn)自己面對(duì)的獵物是一個(gè)高度進(jìn)化的外星掠食者，且擁有先進(jìn)的技術(shù)武器，一場(chǎng)惡戰(zhàn)開(kāi)始了！