劇情簡介
描寫了以在都市的公寓獨(dú)自生活的女性為目標(biāo)的連續(xù)殺人事件的色情暴力。分配角色性感系偶像的「俘虜-TORIKO-」系列第1彈
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圣山1973
亞歷桑德羅·佐杜洛夫斯基,霍拉西奧·薩利納斯,Zamira Saunders,胡安·費(fèi)拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·魯托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托?奧爾特加,阿麗爾·朵巴絲一位貌似耶穌的小偷（Horácio Salinas 飾）從兒童們的石塊擊打中醒來，與一個(gè)無手無腳的侏儒結(jié)伴進(jìn)入城市。城中正進(jìn)行一場瘋狂的慶典，一些人被殺死，鳥雀從他們的槍口中飛出，大量蟾蜍穿著印第安人以及歐洲殖民者的服裝在混戰(zhàn)中被炸的粉碎。小偷從幾個(gè)羅馬士兵打扮的人手中接過十字架，又被他們將自身的形象制造成無數(shù)模型……小偷在眾目睽睽下爬上了一座能生產(chǎn)黃金的高塔，塔內(nèi)的術(shù)士從小偷的糞便中提煉出了金子。術(shù)士用占星術(shù)確認(rèn)了幾位門徒，他們是生產(chǎn)面具的商人、武器商、藝術(shù)家、玩具商、政府顧問、軍隊(duì)長官和建筑師，七人分別代表不同的行星。術(shù)士把這些掌控國家的人物積聚一起，拋棄一切之后向傳說中的圣山進(jìn)發(fā)尋找不朽的秘密。
亨利·休格的神奇故事
本尼迪克特·康伯巴奇,拉爾夫·費(fèi)因斯,本·金斯利,戴夫·帕特爾,理查德·艾歐阿德本片改編自羅爾德·達(dá)爾深受喜愛的故事，講述富翁亨利·休格（本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾）決心掌握非凡的賭博作弊技巧。
呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman改編自英國著名作家艾米莉·勃朗特同名經(jīng)典作品，英格蘭北部的荒原之上，一場跨越階級的禁忌之戀正在上演。莊園之主的女兒凱茜（瑪格特·羅比 飾）與被收養(yǎng)的孤兒希斯克利夫（雅各布·艾洛蒂 飾）青梅竹馬，靈魂契合彼此深陷。愛意悄然滋長之時(shí)，現(xiàn)實(shí)的殘酷和命運(yùn)的捉弄卻將二人分開。多年以后，他攜風(fēng)暴回來，純潔的愛火逐漸從浪漫演變?yōu)榘V狂，譜寫了一曲關(guān)于欲望、愛與瘋狂的史詩篇章。
他年她日
許光漢,袁澧林,陳澤耀,韓佩瑤,董瑋,陳輝虹,駱振偉,許恩怡,謝詠欣在一場世紀(jì)大地震后，矗立于海中央的“重力墻”將世界一分為二，形成兩個(gè)不同的時(shí)區(qū)和重力環(huán)境，“優(yōu)日區(qū)”的一天，是“長年區(qū)”的一年。長年區(qū)長大的薯仔（許光漢 飾）對來自優(yōu)日區(qū)的實(shí)習(xí)醫(yī)生安晴（袁澧林 飾）一見鐘情，面對時(shí)間和地理的巨大阻礙，薯仔和安晴用盡全力雙向奔赴，以年思念，以日相見。在失衡的時(shí)空里，他們能否堅(jiān)定地愛到最后，守護(hù)這場刻骨銘心的愛戀？
愛情坐標(biāo)
凱莉·羅蘭,馬索·曼恩,Chris Kapeleris,亞歷桑德拉·卡斯蒂略,梅蘭妮·利什曼,羅賓·席德,安妮·岡薩雷斯,大衛(wèi)·皮納德,Nck Name,丹尼爾·馬力克, 卡洛斯·岡薩雷斯-維奧,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特爾,Hannah Yohannes探索現(xiàn)代浪漫的起起落落。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事發(fā)生在波士頓，巴恩斯扮演的尼克是一位意大利裔的美國年輕人，躊躇滿志的他加入波士頓黑手黨，決心開創(chuàng)一番事業(yè)，卻發(fā)現(xiàn)這個(gè)犯罪組織早已不復(fù)昔日之勇。 于是尼克背著他的老板（《落水狗》、《壞中尉》男星哈威·凱特爾飾），自立門戶，擴(kuò)張版圖，希望重塑往昔的輝煌。一手金錢，一手美人（莉頓·梅斯特飾），尼克完全不知道自己正走在危險(xiǎn)的懸崖邊。