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少林傳人
狄龍,爾冬升,白彪,艾飛,詹森野心勃勃的九王爺（白彪 飾）企圖謀權(quán)篡位，落敗的皇帝（艾飛 飾）命令兩名侍衛(wèi)將兩個(gè)皇子分別抱走，以延續(xù)皇家血脈。大太子（狄龍 飾）被送到了少林寺，三個(gè)瘋瘋癲癲的和尚收留了他，替他取名道行，傳授其武功。二太子（爾冬升 飾）則被丞相（谷峰 飾）收為義子，改名為王子泰。 轉(zhuǎn)眼多年過(guò)去，某日，王子泰來(lái)到了少林寺，偶然遇見(jiàn)了道行，盡管他們彼此都不知道對(duì)方的身份和身世，但兩兄弟還是一見(jiàn)如故，很快就結(jié)下了堅(jiān)實(shí)的友誼。九王爺買通了寺廟內(nèi)的僧人，想要將道行和王子泰斬草除根，無(wú)奈之中，兩人逃出了少林，踏上了充滿危險(xiǎn)的未知之旅。
外星人爆發(fā)
Ritchie Crane,Katherine Drake,Philip Alexander Baker,Ian Rowe,克里斯·巴尼科特,Tom Menary,Gemma Wilks,吉米·本內(nèi)特In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction? 在一個(gè)小的農(nóng)村社區(qū)，當(dāng)?shù)鼐熳粢梁团撂乩锟碎_(kāi)始正常換班，但很快就清楚出了問(wèn)題。奇怪的事情展現(xiàn)在他們眼前，居民開(kāi)始奇怪的行為，大規(guī)模的自殺恐慌在他們?cè)噲D保護(hù)的社區(qū)中蔓延。佐伊和帕特里克意識(shí)到，當(dāng)他們與外界隔絕時(shí)，他們正受到外來(lái)機(jī)器的圍攻。他們被迫與這些不速之客作戰(zhàn)。在一些居民的幫助下，佐伊和帕特里克開(kāi)始解開(kāi)這個(gè)謎團(tuán)，很快發(fā)現(xiàn)它并不像看上去的那樣。佐伊和帕特里克能拯救他們的社區(qū)和外部世界免于滅絕嗎？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
猛虎末路
勞倫斯·魯波,大衛(wèi)·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher一輛德國(guó)虎式坦克的五名車組成員被派往戰(zhàn)火紛飛的前線后方執(zhí)行一項(xiàng)秘密任務(wù)。在德軍亢奮藥物的刺激下，他們的任務(wù)逐漸變成了一場(chǎng)深入黑暗之心的旅程。
鬼租客
納查潘·帕拉瑪查倫羅,Aew Aumpa Phusit,波似·坡尼皮帕特·庫(kù)尼嗦,坦恩.基緹男.坎蒙功空理法密昕,馬克·納克塔赫·坎那特桑安,Boom Raweephan Siriwattana一個(gè)破產(chǎn)的平面設(shè)計(jì)師最終租了一個(gè)有著恐怖故事和神秘鄰居的房間。
怒獸出籠
丹尼爾·麥克弗森,盧克·海姆斯沃斯,羅素·克勞,布倫·福斯特,莫讓·阿里亞,馬特·納夫萊,凱莉·蓋爾,內(nèi)森·菲利普斯,Amy Shark,埃莉扎·德蘇扎,CJ·布隆菲爾德,喬治·布吉斯,Callan Colley,Saphira Moran,George Tilley,Liam Resnekov,羅基·弗里杰里奧,Alex BallesterosStory follows an out-of-work steel worker as he struggles to provide for his family and avenge his brother's death by fighting in a mixed martial-arts match against a dangerous opponent.
王者少年
路易斯·阿什伯恩·瑟金斯,丹妮斯·高夫,迪安·肖穆,湯姆·泰勒,雷亞安娜·杜瑞斯,內(nèi)森·斯圖爾特-賈瑞特,諾瑪·杜梅溫尼,麗貝卡·弗格森,馬克·博納爾,安格斯·里,路易斯·馬丁,喬伊·安沙,亞當(dāng)·利斯,亞歷山德拉·羅奇,尼克·穆罕默德,帕特里克·斯圖爾特,邁拉·麥克法迪,亞當(dāng)·布克斯頓,克勞迪·布萊克利,吉娜薇·歐瑞麗,露絲·霍洛克斯,賈格·帕特爾,康納·沃爾夫劇情講述一群小朋友探索追蹤一個(gè)中世紀(jì)禍害——名叫Morgana、是亞瑟王同父(母)異母(父)的妹妹的故事。路易斯飾Alex，偶然發(fā)現(xiàn)了亞瑟王的圣劍“Excalibur”，泰勒飾他的同伴蘭斯洛特，Denise Gough飾他的母親，Imrie飾年輕版梅林，斯圖爾特有望飾演老版梅林，弗格森則有望飾演大反派Morgana。該片由福斯發(fā)行，充滿動(dòng)作冒險(xiǎn)元素。