登山的目的

　　《幸存者》講述了十億年前，外星異種來(lái)地球，進(jìn)行各種生物培育，因?yàn)榈貧み\(yùn)動(dòng)劇烈，被火山巖漿淹埋?；臎龅谋睒O科學(xué)探測(cè)站內(nèi)，正歡呼石油的到來(lái)，鉆臺(tái)無(wú)故斷電、礦井噴出神秘的膠體、員工被大卸八塊……頓時(shí)失去控制，當(dāng)站長(zhǎng)亞當(dāng)、凱特等反應(yīng)過(guò)來(lái)，并組織起武裝防衛(wèi)時(shí)，95%的人們成了無(wú)辜冤魂，血肉模糊、腦髓迸射；不可抗力的人類浩劫就此爆發(fā)，從北極向全球瘋狂蔓延……

Az 在 Sète（法國(guó)南部）的一個(gè)牡蠣養(yǎng)殖場(chǎng)工作，他非常熟悉牡蠣，曾打開(kāi)過(guò)成百上千個(gè)，一天，他決定藏一枚戒指在其中一只牡蠣中，向他的女友 Jess 求婚，但是對(duì)方?jīng)]有答應(yīng)。不過(guò)幸運(yùn)的是，他的一群朋友已經(jīng)準(zhǔn)備好幫他重新振作起來(lái)。                                                                      　　Az travaille chez un ostréiculteur à Sète. Les hu?tres il conna?t ?a par c?ur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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