人肉叉燒包2之天誅地滅 人肉叉燒包II天誅地滅
燒臘店老板娘娟（楊梵 飾）生性風(fēng)騷、放蕩不羈，然而在性生活方面丈夫昌（張錦程 飾）卻無法滿足她，以至于她經(jīng)常對其吆五喝六。娟的表妹亞鳳（孫佳君 飾）從大陸來香港探親，并暫住店中。由于亞鳳面容姣好，吸引了來此用餐的客人，其中也包括轄區(qū)警探亞生（黃秋生 飾）。某日，娟帶亞鳳逛街，亞鳳因為一件真絲睡衣遭店員白眼，暗中發(fā)誓要出這口惡氣。在娟出門鬼混之際，亞鳳暗中勾引了昌，令對方俯首帖耳。此后，亞鳳不但狠狠回敬了趨炎附勢的店員，而且還獲得了在港的身份。此后，娟和昌再過性生活時，發(fā)現(xiàn)昌的反應(yīng)有所轉(zhuǎn)變，懷疑他在外偷腥。這時，發(fā)型、衣著大變樣的亞鳳，引起了娟的注意。兩人之間的爭斗逐漸升級。但亞鳳毫無懼色，她仰仗昌的寵愛，變本加厲跟娟對抗，一步步施行著自己變態(tài)的復(fù)仇計劃……
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四十而惑
保羅·路德,萊斯利·曼恩,杰森·席格爾,克里斯·奧多德,梅根·?？怂?梅麗莎·麥卡西,莉娜·鄧納姆,艾伯特·布魯克斯《一夜大肚》中的夫妻皮特（保羅·路德 Paul Rudd 飾）與黛比（萊斯利·曼恩 Leslie Mann 飾）如今年過四十，雖然黛比已經(jīng)擁有一個不錯的精品店，皮特也開了自己的唱片公司，然而生活的暗礁還是漸漸圍困了這個家庭：不僅皮特開始需要借助“偉哥”，兩人的父母也年歲漸衰，需要供養(yǎng)，皮特的唱片店近來也在艱難維系，兩個還在上學(xué)的女兒更是每天把家里弄得雞飛狗跳。夫妻二人深感走入了愛情墳?zāi)沟耐瑫r，連生活的激情與樂趣也將要被消磨殆盡。黛比在與朋友談心之后，終于決定要挽救自己的婚姻，而此時，她已經(jīng)懷上了皮特的第三個孩子…… 本片為導(dǎo)演在2007年的喜劇電影《一夜大肚》的一個獨立續(xù)集。
美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers與丈夫（安東尼·拉帕格利亞飾）慶祝完結(jié)婚25周年后不久，丈夫出差在外，達(dá)西（瓊·艾倫）在車庫找電池，卻無意中發(fā)現(xiàn)丈夫就是新聞中說的“臭名昭著的連環(huán)殺手比蒂”。 影片的小說藍(lán)本是金2010年出版的短篇小說集《暗夜無星》（Full Dark, No Stars）中的一篇。金在接受采訪時說，小說的靈感來自于2005年被捕的美國“BTK連環(huán)殺手”丹尼斯·雷德（Dennis Rader），他就有一位結(jié)婚三十四年的妻子寶拉（Paula），對他的殺人行為毫不知情。金表示，小說探討的是，人與人之間永遠(yuǎn)不可能完全了解，即使是最愛的人也一樣。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
走出叢林
布里姬特·霍博梅爾,Sarah Zaharanski瑪麗安離開了她一直生活的城市，回到了成長的地方，并從祖母那里繼承了一棟老房子。最近的村莊有十公里遠(yuǎn)，沒有電，也沒有熱水。有時，屈服于災(zāi)難是重新開始的唯一方法。
半夜叫你別回頭2
梅瓊,趙翊驍,姜夢茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴(yán)佳茵,武朋新婚的蕭靈兒（陸煙 飾）前往兒時的山間別墅度假。途中，詭異事件接踵而至，雙生女童、深夜歸來的守門人，讓蕭靈兒驚恐不已。次日，蕭靈兒的閨蜜和前男友不請自來，守門人的兒子帶著女友來見家長。更恐怖的是，一個神秘的紅衣女孩如鬼魂般在深山老宅中閃現(xiàn)，勾起了當(dāng)?shù)亓鱾饕丫玫墓硗蕃旣悅髡f。在這深山隔絕之地，鬼娃使眾人陷入死亡之境。靈異現(xiàn)象頻繁出現(xiàn)，血腥事件不斷發(fā)生，等待眾人的是一個埋藏多年的鬼娃復(fù)仇傳說。
納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.聚焦追夢女孩伊登的納什維爾驚魂：懷揣音樂夢的她移居鄉(xiāng)村音樂之都，與音樂大亨之子杰克斯墜入愛河，卻在甜蜜中發(fā)現(xiàn)多起與杰克斯相關(guān)的女性連環(huán)命案。隨著調(diào)查深入，家族的黑暗秘密層層揭開，伊登驚覺自己早已身陷致命陷阱。