讓我聽聽你的聲音

評(píng)分:9.5 播放:61萬 更新:2026-04-28

小遙(渡邊萬美 飾)是名超人氣模特兒,因工作導(dǎo)致她過度節(jié)食,某天在工作現(xiàn)場(chǎng)昏倒了。為了恢復(fù)體力,小遙來到一家肉鋪想買牛排食補(bǔ),沒想到她卻聽得到肉鋪老板安春的內(nèi)心話,老板在贊嘆她的好身材,這讓小遙嚇得奪門而出。她把這件事告訴經(jīng)紀(jì)公司老板、同時(shí)也是男友的俊介,但俊介完全不相信她的話,甚至叫她去看醫(yī)生。   后來,俊介對(duì)小遙求婚,但模特兒界新人輩出,小遙擔(dān)心自己的地位不保,完全不考慮結(jié)婚。另一方面,安春從小就擁有超能力,但身邊的人完全不相信他。他明知太太在外面有小王,卻也只能視而不見,身為入贅女婿的他只能守著太太娘家的肉鋪。后來,小遙和安春因故開始借由心電感應(yīng)互相溝通,分享彼此的苦惱,兩人漸漸地熟悉、了解,進(jìn)而跨越了那條防線  

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埃迪森

LL Cool J,賈斯汀·汀布萊克,摩根·弗里曼,凱文·史派西,迪倫·麥克德莫特,約翰·赫德,加利·艾爾維斯,羅塞莉·桑切斯,達(dá)米恩·丹特·韋恩斯,馬爾科·桑切斯,關(guān)永揚(yáng),安德魯·杰克森,派珀·佩拉博,布賴恩·詹尼斯,葉芳華,羅伯特·米亞諾,BJ·哈里森,雷克哈·莎爾瑪,彼特·科拉米斯,Klodyne Rodney,格倫·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托馬西諾,大衛(wèi)·帕拉菲,阿麗克西斯·盧埃林,Holly Eglington,卡佳范瑞西

  故事發(fā)生在一個(gè)虛構(gòu)的城市——埃迪森市中,在那里,執(zhí)政者和執(zhí)法者相互勾結(jié),黑惡勢(shì)力層出不窮,金錢和權(quán)利的交易每天都在發(fā)生,這些黑暗和腐敗猶如一只巨大而厚重的手掌,控制了整個(gè)城市和生活在其中的人們。波拉克(賈斯汀·丁伯萊克 Justin Timberlake 飾)是一名尚且保留了赤子之心的記者,精明的他很快就察覺到了發(fā)生在這個(gè)城市中的種種罪惡,心懷遠(yuǎn)大理想的他決定將它們一一揭發(fā)?! 〔ɡ说呐e動(dòng)很快就惹惱了他正在調(diào)查的對(duì)象們,他們決定滅掉這個(gè)不知好歹的小子。在危險(xiǎn)之中,波拉克只得求助于自己的老板艾斯佛(摩根·弗里曼 Morgan Freeman 飾)——一個(gè)良心尚存的老記者,在艾斯佛和其好友華勒斯檢察官(凱文·史派西 Kevin Spacey 飾)的幫助下,波拉克正在一步一步的接近真相。

鋼鐵飛龍之再見奧特曼

侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁

  保護(hù)地球、維護(hù)和平,奧特曼對(duì)于地球人來說曾經(jīng)是神一樣的存在,但是近幾十年,他卻消失不見行蹤成謎……隨之取替他的是鋼鐵飛龍精銳小分隊(duì)——隸屬于GSB地球安全保衛(wèi)組織。而GSB近期不斷收到地球能源異常報(bào)告,全球各地紛紛出現(xiàn)巨大災(zāi)難。GSB組織派出鋼鐵飛龍,查明能源異常原因,卻意外發(fā)現(xiàn)事件與奧特曼有關(guān)系……新舊兩代地球守護(hù)者的意外相見,卻成為你死我活的敵對(duì)雙方。到底,這是一場(chǎng)意外還是一場(chǎng)陰謀,是誰看到了最后的事實(shí)真相?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

本能反應(yīng)

安東尼·霍普金斯,小庫珀·古丁,唐納德·薩瑟蘭

  鮑威爾(安東尼?霍普金斯 Anthony Hopkins 飾)是一位專門研究黑猩猩的人類學(xué)家,他在盧旺達(dá)長(zhǎng)期觀察觀察當(dāng)?shù)睾谛尚傻幕顒?dòng)。然而兩年前,這位性情溫和的學(xué)者突然性情大變,殺了兩位當(dāng)?shù)氐纳止芾韱T以及傷害了多名管理員后神秘失蹤。如今,他終于被逮捕歸案,關(guān)押在美國高度戒嚴(yán)的精神病監(jiān)獄?! ∧贻p的精神病專家卡爾特(小庫珀?古丁 Cuba Gooding 飾)意圖揭開鮑威爾精神失常之謎而一舉成名,于是他深入到監(jiān)獄直接與鮑威爾進(jìn)行對(duì)話。鮑威爾一開始對(duì)這位訪客充滿敵意,身為人類學(xué)家的他在卡爾特面前一點(diǎn)也不落下風(fēng)。隨著對(duì)話的逐漸深入,卡爾特漸漸了解到了事件真相:鮑威爾殺害的管理員其實(shí)是偷獵大猩猩的惡棍……