女巫國王
Simon Sinestrari is one of the few true male witches that exist. His ultimate goal is to leave the earth to become a god, and the time for this event is at hand. Is Simon capable of fooling the gods, and will his normal friends be an aid or a problem to the process?
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偽叛國者
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情婦
約翰·馬加羅,琪森·哈蒙,艾莉亞·馬佐爾夫Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.
我的秘密圣誕老人
麥迪遜·麥克伊薩克,瑞安·艾戈爾德,亞利桑德拉·布萊肯瑞吉,蒂亞·莫里,Andy Magee,亞當(dāng)·博謝納,杰登·歐尼亞,威廉·C·沃恩,巴里·W·萊威,Katie Stone,布列塔尼·霍布森,Cam Woodman,凱拉·哈瑟斯,Piper Dacosta一位單身母親需要工作,一個滑雪度假村需要圣誕老人。泰勒假扮成圣誕老人,她能否騙過迷人的酒店繼承人,拿到這份工作?
西關(guān)大屋
娜仁花,鄔靖靖,李琦廣州末代西關(guān)小姐潘夢蝶,曾是一位絕代佳人,如今住在西關(guān)大屋中。在將近一個世紀(jì)的時間長河里,她堅守著自己的愛情,堅守著家族的秘密,堅守著屬于她自己的祖屋……社區(qū)民警馬思鵬是一位身手矯健、頭腦聰穎、樂于助人的人民警察。他接到了一樁名為“代號西關(guān)小姐”的涉毒案件。在調(diào)查的過程中,馬思鵬結(jié)識潘夢蝶及其后人葉伊西。隨著案件的深入,許多不為人知的秘密隨之解開,一場關(guān)于警民、親情、血緣等復(fù)雜情感的生死較量即將展開……
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.