變態(tài)故事

刺殺小說家2

鄧超,董子健,雷佳音,王圣迪,丁程鑫,王彥霖,鄧飛,張震,辛芷蕾,郭京飛,常遠(yuǎn)

　　陷入人生低谷的小說家路空文（董子健 飾）被巨大的誘惑牽引，導(dǎo)致他自己和書中的角色都陷入了不可逆轉(zhuǎn)的危機(jī)。最終小說家找回了信念，與書中人一起拯救了雙世界危機(jī)。

戰(zhàn)爭(zhēng)藝術(shù)家

埃米爾·赫斯基,因巴爾·拉維,伊安·蒂阿爾,亞當(dāng)·切赫曼,Edward Foy,Chris Cope,喬?！げ既R克,喬什·祖克曼,尤金·里皮斯基,達(dá)里亞斯·布萊克,Pam Kearns,Tori Griffith,Brad Abramenko,邁克爾·本耶爾,Boris Bilic,馬特·布朗,Reid Anthony Cronin,阿亞斯·達(dá)爾曼,Rebecca Dykstra,Craig Erickson

　　根據(jù)約瑟夫和麗貝卡·鮑在普拉佐集中營(yíng)的婚禮被斯皮爾伯格的辛德勒名單紀(jì)念的真實(shí)故事改編。Bau，《戰(zhàn)爭(zhēng)中的藝術(shù)家》是一部戰(zhàn)爭(zhēng)劇/愛情故事/間諜故事，在這個(gè)幸存者正在死亡、大屠殺正在從記憶中消失的時(shí)代需要講述。約瑟夫在營(yíng)地里運(yùn)用他的藝術(shù)技巧，活了下來，幫助數(shù)百人逃走。奇跡般地，他在絕望中找到了愛。一種將持續(xù)一生的愛。幾年后，當(dāng)他被傳喚為殘酷的納粹軍官受審的關(guān)鍵證人時(shí)，他被重新帶回了大屠殺的生動(dòng)記憶中。納粹軍官折磨了他并殺害了他的父親?，F(xiàn)在，他呼吁這種愛和精神的韌性來面對(duì)他過去的終極惡魔。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

妖狐傳

馬倩倩,張競(jìng)達(dá),王昭,朱利安

　　周興商滅時(shí)期，神都戰(zhàn)神拓跋羽帶回一個(gè)九霄靈狐，關(guān)押在府內(nèi)。此后神都屢屢出現(xiàn)懸案，懸案中的死者均是神都極美的女子，神都城內(nèi)人心惶惶?！　榱似较⒋耸?，戰(zhàn)神懸賞千兩查找與案子相關(guān)的線索，降魔師主動(dòng)請(qǐng)纓。降魔師的出現(xiàn)讓真相逐漸浮出水面，大家在降魔師的引導(dǎo)下將目光放在了戰(zhàn)神帶回的女子小九身上，并大膽質(zhì)疑小九是妖，全神都為之震動(dòng)。戰(zhàn)神帶回的女子雖是九霄靈狐，但因其所吸人靈不足只算得上半妖。神都女子之死表面都出自她手而實(shí)際上都與她無關(guān)。　　真兇其實(shí)是戰(zhàn)神拓跋羽，九霄靈狐則是他最后一個(gè)獵殺對(duì)象，他殺四十九名美艷女子是為了集齊四十九個(gè)美艷女子的陰靈，然后與九霄靈狐的妖靈一同煉化使自己早日修成大成，不料最后被降魔師識(shí)破，戰(zhàn)神無法繼續(xù)隱藏，只能兔死狗烹與降魔師進(jìn)行對(duì)抗，降魔師不敵敗下陣來，眼看戰(zhàn)神即將修成大成，降魔師攜手九霄靈狐將拓跋羽治服。降魔師為使一方安寧，收走九霄靈狐一縷靈魄讓別有用心之人無法借由九霄靈狐修害人之法術(shù)。

盜墓大案

李丞峰,徐光宇,石兆琪,范雷,姜寒,要武,陳韻錦

這是一部講述公安干警李方中、鐵鶴等舍生忘死與盜墓團(tuán)伙頭目“老祖”斗智斗勇，最終將其擒獲并把所有盜墓團(tuán)伙一網(wǎng)打盡，追回并保護(hù)了國(guó)寶、文物的影片。

潛艦情緣

何塞·加西亞,皮奧·馬麥,伊爾·哈達(dá)拉

她是一名戰(zhàn)術(shù)潛艇軍官。他是管家。在潛水90天之前，她選擇了“四個(gè)小時(shí)”。但它就在這里！誰跟著她！誰粘的！如果747機(jī)組人員以浪漫為榮，我們會(huì)去哪里？就像我們有時(shí)間在軍事建筑上戀愛一樣！然而，太平洋還不夠大。北冰洋也沒有。當(dāng)你用如此偉大的愛彼此相愛時(shí)，世界是如此渺小。。。

午夜場(chǎng)

范夢(mèng),馮言彥,鄧先宇,歷家兵,李子雄

　　《午夜場(chǎng)》講述了戲院經(jīng)理林梅（范夢(mèng)飾演）與戲院大小姐子君（馮言彥飾演）是無話不談的閨蜜，在子君即將結(jié)婚前，無意間發(fā)現(xiàn)林梅好似和自己的未婚夫家俊（鄧先宇飾演）有著某種不為人知的關(guān)系。某一天，在他們工作的三十七號(hào)古宅內(nèi)，一場(chǎng)備受關(guān)注的木偶劇目正在上演，而神秘的木偶附身也即將開始。隨著現(xiàn)實(shí)詭異畫面與林梅的夢(mèng)境交織，令人意想不到的真相浮出水面！