赤裸搏擊
泰國(guó)人妖拳王來(lái)中國(guó)擺擂臺(tái)，開(kāi)始打遍無(wú)敵手，但遇到看似美麗溫柔的小柔，挫敗在小柔自創(chuàng)的;舞武功之下。從此;舞武功 rdquo;名聲大噪，很多人沖著小柔的美貌和武功前來(lái)拜師學(xué)藝，小柔也在尋找自己的對(duì)手，引來(lái)兩位日本美女摔角高手石川，東城的挑戰(zhàn)，在泥沼里和對(duì)手赤裸交戰(zhàn)，春光盡露，場(chǎng)面充滿刺激，暴力，打下了小柔最艱苦的一仗，然而鄭式武館的鄭師父卻提出更陰險(xiǎn)的要求，小柔一步一步走想不歸路
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小意大利
艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛(ài)羅,安德列·馬丁,簡(jiǎn)·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托Voltage Pictures拿下艾瑪·羅伯茨、海登·克里斯滕森主演的浪漫愛(ài)情片[小意大利](Little Italy，暫譯)的國(guó)際銷(xiāo)售權(quán)。該片由唐納德·佩特瑞([倒霉愛(ài)神])執(zhí)導(dǎo)，故事類(lèi)似現(xiàn)代版羅密歐與朱麗葉，講述一名見(jiàn)習(xí)廚師同一位餐廳老板墜入愛(ài)河。他們父親是商業(yè)死對(duì)頭，母親卻是秘密的閨中好友。
鐵甲無(wú)敵瑪利亞
梁朝偉,葉倩文,徐克,林正英,岑建勛,陳國(guó)新,林國(guó)斌,秦沛太陽(yáng)黨是一個(gè)恐怖組織，其首領(lǐng)救世主（林國(guó)斌 飾）善于開(kāi)發(fā)戰(zhàn)爭(zhēng)機(jī)器人，他和女友瑪利亞（葉倩文 飾）經(jīng)常利用自己開(kāi)發(fā)的機(jī)器人“先鋒一號(hào)”大肆破壞。由于“先鋒一號(hào)”威力強(qiáng)大，警方也常常束手無(wú)策。小徐原是英雄黨的一分子，后來(lái)對(duì)自己團(tuán)伙的所作所為深感不滿而在師傅的擔(dān)保下脫離了該組織。一次小徐在酒吧偶遇了專(zhuān)為警方開(kāi)發(fā)戰(zhàn)爭(zhēng)機(jī)器人的專(zhuān)家阿毛（岑建勛 飾），兩人一見(jiàn)如故，成為了好朋友。豈料太陽(yáng)黨因此懷疑小徐出賣(mài)了自己，因此派出新研制的機(jī)器人——外形和瑪利亞一模一樣的“先鋒二號(hào)”追殺小徐；更糟糕的是，警方亦因此懷疑阿毛出賣(mài)了政府，因而同時(shí)派人前來(lái)捉捕他們。一對(duì)好兄弟，能否逃出生天？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
血屋之謎
莎菲拉是一名冉冉升起的新秀主持人，她有機(jī)會(huì)主持《Percaya Ngga Percaya》的重拍版。在研究舊錄像時(shí)，她發(fā)現(xiàn)了一盤(pán)未播出的錄像帶，上面寫(xiě)著“Rumah Darah”，這導(dǎo)致令人不安的超自然事件威脅到她的生命。在調(diào)查 Rumah Darah 背后的秘密時(shí)，她發(fā)現(xiàn)了過(guò)去的黑暗秘密，這些秘密使她的靈魂處于危險(xiǎn)之中。
X--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony NewleyBritish Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a "bottomless" crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity; it seems to be able to "absorb" radiation from any source, growing bigger and bigger. What is it?? How do you destroy a thing that "feeds" on energy?
不死之人
安東·迪夫倫,哈澤爾·考特,克里斯托弗·李邦納博士計(jì)劃通過(guò)更年輕、更健康的人類(lèi)受害者周期性的腺移植來(lái)永生。邦納看起來(lái)大約40歲，他真的104歲了。但是人們開(kāi)始懷疑了，他可能不會(huì)到200歲。