寵愛

評分：9.8 播放：09萬 更新：2026-04-29

講述民相與養(yǎng)狗的珍英個性不合。敏瑞是知名的建筑師，需要敏瑞幫助的民相，瞄準了珍英和她的狗。某天，敏瑞昏倒在路上，狗狗萬達也走失。敏瑞與振宇一起尋找萬達。另一邊，賢正照顧著女友的狗，但女友的前男友丹尼爾卻突然出現(xiàn)。與毛茸茸的朋友們交織在一起的他們，將展開一段令人愉悅的故事！

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 珠仁17歲的時光，是熱切投入青澀的戀愛，和好友打鬧笑談對性的好奇，替任職幼兒園校長的甩碌阿媽善后，閑時練跆拳道和做義工揮灑滿身活力。某日，同學(xué)發(fā)起聯(lián)署，反對出獄在即的強奸犯重回社區(qū)，只有珠仁一個不肯簽名。她沖口而出的一句話，令她周遭的世界起了劇烈變化。那邊廂，幼兒園小女孩身上的瘀青，不禁令人起疑.…..尹佳恩導(dǎo)演一向擅拍兒童，早獲奉俊昊力贊為下一代大師級人馬，此次探索少女內(nèi)心幽微更見精準細膩，新人徐粹彬的演出展現(xiàn)驚人層次和魅力?？此破椒驳那啻喝粘＃没蓪?chuàng)傷、韌性和連接的動人描繪，悄無聲息地撼動心靈。

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Su Jung Ham,Lee Sun-kyun,李美子

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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　　精神醫(yī)生Lilian Steiner就自己一個病人的死展開了調(diào)查，她相信這是一起謀殺。