即刻觀影
劇情賞析
編輯推薦
奸人本色
董驃,許冠英劉父半生積蓄被奸商所騙，更在法庭敗訴，郁郁而終，死前托女兒小云找奸人家族報(bào)仇。奸人家族一早不值奸商所為，設(shè)下以奸治奸的圈套，不料簡(jiǎn)仁與簡(jiǎn)貴為爭(zhēng)小云歡心，被奸商利用……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
超聲
文森特·卡塞瑟,切爾西·洛佩茲,布瑞達(dá)·伍爾,滕德·艾德比佩,蕾妮·庫(kù)利,鮑勃·斯蒂芬森,達(dá)娜·林恩·拜倫,Jim Boeven,Chris Dougherty,波特·琳·楊,Tony Evangelista,達(dá)維達(dá)·威廉姆斯,馬克·伯恩漢姆,Cheryl Dent,Gabe FonsecaDriving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.
生活殘骸
柯林·奎恩,Devin Fabry,Carla Oudin,艾米·舒默,喬什·塞加拉,瑞恩·法瑞爾,Robert E. Torres,吉姆·佛羅倫丁,Robert Kelly,Dan Soder,約翰·塞納,戴夫·阿特爾,瓦妮莎·貝爾,蒂爾達(dá)·斯文頓,蘭道爾·樸,喬·格拉瑟,埃茲拉·米勒,布麗·拉爾森,邁克·比爾比利亞,諾曼·勞埃德,比爾·哈德爾,勒布朗·詹姆斯,丹尼爾·雷德克里夫,瑪麗莎·托梅,戴夫·漢森,皮特·戴維森,吉姆·卡拉梅爾勒,馬索·曼恩,克勞迪婭·奧多爾蒂,凱文·凱恩,蒂姆·麥道斯,妮基·格女孩艾米（艾米·舒默 Amy Schumer 飾），從小被父親教導(dǎo)婚姻不現(xiàn)實(shí)，一夫一妻不現(xiàn)實(shí)，長(zhǎng)大后熱衷泡吧，一直與不同男人約會(huì)卻從不戀愛。一天，身為男性雜志編輯的她，前去采訪一位專為運(yùn)動(dòng)員治療運(yùn)動(dòng)損傷的醫(yī)生亞倫（比爾·哈德爾 Bill Hader 飾），不料遇見了可能終結(jié)她完美單身生活的真命天子?！ ”酒膳鹘前住な婺巹?，根據(jù)她本人的真實(shí)經(jīng)歷改編。
假日旅館
平·克勞斯貝,弗雷德·阿斯泰爾,瑪喬麗·雷諾茲,弗吉尼亞·戴爾,沃爾特·艾貝爾,路易絲·比弗斯,歐文·培根影片由一系列音樂片斷構(gòu)成，由擅長(zhǎng)歌舞巨片的馬克·桑德里區(qū)執(zhí)導(dǎo)。其中每一首插曲都以美國(guó)的節(jié)假日為線索，又都巧妙地集中到一對(duì)情敵的身上。本片獲1943年第15屆奧斯卡最佳編劇和最佳音樂獎(jiǎng)提名！一家開設(shè)在公路邊的旅館，兩個(gè)年輕的合伙人哈迪和海諾沃同時(shí)愛上了一位姑娘。海諾沃（由著名舞蹈家弗雷德·阿斯泰爾飾）盡管在愛情的追逐中連連占先，但最終還是敗給了哈迪（由著名歌星賓·克羅斯比飾）。哈迪是位酷愛音樂的懶散的人，他退休回到新英格蘭農(nóng)村，每逢節(jié)假日，他的農(nóng)場(chǎng)就成了娛樂總會(huì)……
花魁～SAGA
沖田杏梨,佐山愛,鹽谷瞬現(xiàn)代東京，三位女性——愛、瑪麗、杏珠——在繁忙與孤獨(dú)的?活中尋找愛與?我。某?，她們?同前往溫泉旅?，在閃爍的燈光與笑聲之間，?道神秘的閃光將她們帶入時(shí)空裂縫。當(dāng)她們?cè)俅伪犙?，眼前已成?個(gè)充滿異?與絢爛的幻夢(mèng)世界——「仮想?吉原」。在這座融合江?、?正與現(xiàn)代意象的花街中，她們分別化身為花魁「三浦太夫」、「薄桜」、「富?太夫」，成為欲望、權(quán)?與愛情交錯(cuò)的舞臺(tái)中?。