山中森林
生哥曾是混跡中山區(qū)酒店街的黑道,年輕時(shí)為救兄弟沙鷗入獄12年。多年后假釋,再度踏足曾經(jīng)叱咤風(fēng)云的地盤,才發(fā)現(xiàn)小弟沙鷗已成為條通林森北的一方之霸,利益糾葛下,考驗(yàn)著兄弟情是否一如往昔?此時(shí),一位心狠手辣的少年黑道“猴子”,率領(lǐng)新興的幫派殺了沙鷗背后金主的兒子。某天沙鷗接獲線報(bào),派遣手下去旅館埋伏,卻被猴子逃脫。兩幫人馬暗地里展開火拼,林森北風(fēng)云變色,唯一能夠幫沙鷗討回公道的人,竟然還是兄弟生哥??
即刻觀影
劇情賞析
編輯推薦
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韓塞爾與葛雷特
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三天
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木乃伊2026
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絕地狂奔
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster