黃真伊

評(píng)分:2.0 播放:21萬(wàn) 更新:2026-04-28
主演: 申友珠 趙勝淵 

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嘔吐戈?duì)?:祭祀

《祭祀》是2008年在美國(guó)上映的一部恐怖電影,由路西爾.維綸泰恩執(zhí)導(dǎo),路西爾.維綸泰恩領(lǐng)銜主演。 《祭祀》展示了涅槃般樂(lè)隊(duì)的柯特·科本以及患有貪食癥的歌手安吉拉·阿伯丁自殺的瘋狂景象。受到惡魔般的同胞的感官精神的影響,安吉拉痛苦的自殘終于遭遇腦死亡。這是導(dǎo)演lucifervalentine的第二部作品

月球奇幻旅

麥肯娜·格瑞絲,布雷迪·諾恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奧遜·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue

  肖恩·利維將再次合作老搭檔二十世紀(jì)福斯,執(zhí)導(dǎo)新片[隕石坑](Crater,暫譯),利維也將約翰·J·格里芬執(zhí)筆的原創(chuàng)劇本進(jìn)行改編。故事被描述為科幻版的[ 伴我同行 ],講述在月球殖民地長(zhǎng)大的男孩,和三個(gè)小伙伴共同前往一處神秘隕石坑探秘,不料卻發(fā)生意外。影片劇本曾經(jīng)入選2015年“好萊塢劇本黑名單”。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

恐怖回音

史蒂文·布蘭德,凱特·法蘭奇 ,比利·沃斯

  安娜·帕克(凱特·法蘭奇 Kate French 飾)是一個(gè)美麗的女作家,當(dāng)下她正為新書(shū)做最后的沖刺,可是擔(dān)任出版編輯的男友保羅·瓦格納(史蒂文·布蘭德 Steve Brand 飾)卻提出了較為尖刻的修改意見(jiàn)。心情頗有些低落的安娜找不到靈感,創(chuàng)作陷入僵局。為了幫她完成工作,保羅將安娜帶到一處位于沙漠中央的別墅進(jìn)行創(chuàng)作,不過(guò)他突然有事離開(kāi),只留下安娜和一條狗。到了夜晚,安娜驚訝地發(fā)現(xiàn)有一個(gè)恐怖的人逡巡在別墅附近。她嘗試著向保羅求助,然而無(wú)法得到有效回應(yīng)。  2012-3-2,一組奇怪的數(shù)字,讓安娜陷入前所未有的恐懼之中。而在無(wú)盡的恐慌中,她終于發(fā)現(xiàn)了可怕的秘密……