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黑色鉆石
因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric WalworthFollows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.
奪命之愛(ài)
Jessica McNamee,Richard Wilson,Xavier Samuel半年前，17歲的布蘭特（Xavier Samuel 飾）與父親駕車(chē)遭遇車(chē)禍，父親身亡，布蘭特和母親始終沒(méi)有從傷痛中走出。同校的勞拉（Robin McLeavy 飾）邀請(qǐng)布蘭特同去舞會(huì)，布蘭特木訥的予以拒絕，轉(zhuǎn)頭陪伴自己的女友赫莉。當(dāng)天布蘭特獨(dú)身在野外攀巖，當(dāng)他來(lái)到山頂時(shí)，久候多時(shí)的勞拉之父將他麻醉帶走。 布蘭特醒來(lái)時(shí)，發(fā)現(xiàn)自己被困在勞拉家中，這個(gè)看上去文靜的微胖女孩居然利用自己的父親將多位男孩綁架，父女二人殘酷的虐待他們，最后用電鉆把他們的頭骨鉆開(kāi)變成嘶啞的癡呆。勞拉的母親也不能免于折磨，她形容枯槁奄奄一息，被父女二人視為無(wú)物。面對(duì)這對(duì)關(guān)系曖昧的怪異父女，布蘭特必須用盡一切辦法自救……
柏林綜合癥
泰莉莎·帕爾墨,馬克思·雷邁特,馬蒂亞斯·哈比希,艾瑪·巴丁,艾爾邁拉·拜赫爾米,克里斯托夫·弗蘭肯,露西·阿倫,納西姆·阿瓦特,馬琳·斯特芬,圖索·勒克維,拉拉·瑪麗·繆勒,瑪雅·阿布斯貝格澳大利亞攝影記者克萊爾（泰莉莎·帕爾墨 Teresa Palmer 飾）在柏林度假時(shí)邂逅了當(dāng)?shù)啬凶影驳希R克思·雷邁特 Max Riemelt 飾），一見(jiàn)鐘情的兩人共度春宵，激情過(guò)后意想不到的危險(xiǎn)來(lái)臨，克萊爾醒來(lái)時(shí)發(fā)現(xiàn)自己被安迪反鎖在家中，而安迪似乎并不打算讓她離開(kāi)……
寵物墳場(chǎng)2(2023)
杰克遜·懷特,娜塔莉·阿琳·林德,福勒斯特·古德勒克,Isabella LaBlanc,亨利·托馬斯,杰克·馬赫恩,大衛(wèi)·杜楚尼,薩曼莎·瑪西絲,帕姆·格里爾,克里斯蒂安· 杰達(dá),Steve Love,卡爾·格拉戈薩斯,文森特·萊克萊爾,Glen Gould,馬特·霍蘭德,泰德·惠托爾,John Boylan,Noah Labranche,Corgand Svendsen,Jude Beny改編自斯蒂芬·金小說(shuō)。是2019年那部寵物墳場(chǎng)的前傳。講述1969年賈德·克蘭德?tīng)柊l(fā)現(xiàn)了一段黑暗的家族史：一個(gè)神秘墳場(chǎng)里被埋葬的人和動(dòng)物都會(huì)復(fù)活，但事情絕沒(méi)有看起來(lái)那么簡(jiǎn)單。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
夜間巡邏
賈斯汀·朗,德蒙特·莫羅尼,杰梅因·福勒,CM朋克,尼基·米切奧,RJ·賽勒,飛蓮,邁克·弗格森,弗雷迪 吉布斯,Zuri Reed,埃文·沙夫蘭,YG,Kim Yarbrough,Colin Young,喬恩·奧斯華爾德,尼克·吉利,Dennis BoydAn L.A. cop discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.