心之全蝕
本片是關(guān)于兩位法國象征派大詩人魏爾倫和蘭波的傳記片,內(nèi)容大多都建立在實(shí)在的歷史記錄基礎(chǔ)上。 1871年,17歲的詩人蘭波(萊昂納多 迪卡普里奧 Leonardo DiCaprio 飾)承受其時已是著名詩人魏爾蘭(大衛(wèi) middot;休里斯 David Thewlis 飾)的約請,去往巴黎。其時魏爾蘭現(xiàn)已成婚,老婆家境賦有。但他偏偏對這個恃才傲物,舉動奇怪,放浪不羈的蘭波,入神不已。他因此而拋下老婆,與蘭波流浪到倫敦,同居在了一同,過著放縱不羈又貧困潦倒的日子。在張狂的兩年同居日子中,兩人互相追逐,互相損傷,紛爭不斷。1873年,在結(jié)尾一次爭執(zhí)中,魏爾蘭開槍打傷了蘭波拘捕并被判入獄兩年。之后蘭波一人孤身返鄉(xiāng),四處流浪,閱歷冗雜,乃至販賣軍火,結(jié)尾37歲時病逝于非洲。
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李丞峰,徐光宇,石兆琪,范雷,姜寒,要武,陳韻錦愛情坐標(biāo)
凱莉·羅蘭,馬索·曼恩,Chris Kapeleris,亞歷桑德拉·卡斯蒂略,梅蘭妮·利什曼,羅賓·席德,安妮·岡薩雷斯,大衛(wèi)·皮納德,Nck Name,丹尼爾·馬力克, 卡洛斯·岡薩雷斯-維奧,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特爾,Hannah Yohannes養(yǎng)鬼吃人4
Charlotte Chatton透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗愿大家擁有幸福
古川琴音,松大航也,橋本和雄我能有個見證人嗎
Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van Oers同類推薦
龍門相
何熙維,馬國偉,段瓊,趙東飛,沃志強(qiáng),李桃東北小鎮(zhèn),白事先生張英豪和賣狐皮的王元順意氣相投。但背地里王元順卻與張英豪的媳婦李文紅有染。李文紅懷上了王元順的孩子,王元順決定殺死張英豪。然而他雇傭來的殺手竟屢屢失手。王元順殺人不成反被殺手訛錢。無奈之下,他開始挑撥殺手們的關(guān)系……一年后,一具尸體驚現(xiàn)廢井。警方確定王元順有重大作案嫌疑??赏踉槄s已離奇失蹤,仿佛人間蒸發(fā)……
糖果 ??
崔智友,高東河作為程序員工作的職場媽媽米拉,11歲的兒子?xùn)|明突然被判定為“1型糖尿病”,受到?jīng)_擊。醫(yī)生說她一輩子都要注射胰島素,對此她感到絕望,但她忍住眼淚站了起來。米拉活用自己曾是工程學(xué)專業(yè)的專業(yè),引進(jìn)國內(nèi)未上市的連續(xù)血糖測定儀,給東明戴上,并聯(lián)動監(jiān)護(hù)人遠(yuǎn)程監(jiān)測血糖。有采血恐懼的東明使糖尿病管理變得容易,米拉的家人從低血糖休克的焦慮中解放出來。在環(huán)友會會員的請求接踵而至后,米拉開始告訴孩子們?nèi)绾沃苯舆M(jìn)口并聯(lián)動連續(xù)血糖測定儀,以幫助他們和兒子遭受同樣的疾病。但是,米拉被指控是未經(jīng)許可的非法醫(yī)療器械,在沒有通關(guān)的情況下進(jìn)口,沒有交稅?!瓰榱思胰?,為了歡友會,她與世界對抗的故事將展開。
水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯陽光明媚的日子里,約翰(丹尼爾·佐瓦特 Daniel Zovatto 飾)和凱蒂(邦妮·戴尼森 Bonnie Dennison 飾)、麥特(克里斯·克羅伊 Chris Conroy 飾)、齊克(格里芬·紐曼 Griffin Newman 飾)、西蒙(約翰尼·奧希尼 Jonny Orsini 飾)和黛比(Mackenzie Rosman 飾)等五名好友,驅(qū)車來到一個毗鄰湖邊的僻靜所在進(jìn)行他們畢業(yè)前的紀(jì)念派對。他們劃著小船來到湖中央,曾經(jīng)有著恐怖記憶的約翰對這片水域頗多忌憚,但是他膽大妄為的伙伴們則競相跳入水中,享受戲水的快樂時光。誰知好景不長,先是小船遭到猛烈碰撞,接著黛比被一條怪魚咬傷致死?! ∧贻p人的噩夢由此展開,他們的磨難還未就此結(jié)束,嗜血獵手漸次向他們逼近……
千萬不要跟著我
Karla Coronado,揚(yáng)克爾·史蒂文,Julia Maqueo卡拉夢為了成為知名的網(wǎng)紅,決定在自己的公寓里偽造一場鬧鬼事件。然而令她沒想到是,她的行為意外招來了不懷好意的東西。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.