性愛巴士 Shortbus
在繁華之都紐約，有一間名為短巴士（Short Bus）的俱樂部，肆意享受人生的青年男女云集于此，體驗著彼此身體所帶給自己的莫大快感。索非婭（Sook-Yin Lee 飾）是一名亞裔性臨床專家，雖然和丈夫羅伯（Raphael Barker 飾）的婚姻生活無比幸福，但是她從未達到過高潮，為此索非婭苦惱不已；詹姆斯（Paul Dawson 飾）與杰米（PJ DeBoy 飾）是一對同性戀人，平淡的生活讓詹姆斯渴望新鮮和刺激，這時，偷窺他們的加勒伯（Peter Stickles 飾）介入進來…… 本片榮獲2006年雅典國際電影節(jié)觀眾獎；2006年西班牙西洪（Gijón）國際電影節(jié)最佳藝術(shù)指導(dǎo)和最佳劇本獎；2007年獨立精神獎最佳制片獎；2006年蘇黎世電影節(jié)最佳影片獎。
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同款熱播
重案·無罪
張?zhí)炱?步籽穎 Ziying Bu,于榮光,杜玉明,梁焯滿,駱言,吳永康,朱梓玥,樓學(xué)賢,張嘉飛,張苡寧本片講述了重案組組長張晨峰被余建明陷害成殺人兇手后，張晨峰被捕后，在刑偵專家周楊與重案組成員的努力 下，成功將真正的連環(huán)殺人案的 兇手緝拿歸案的故事。
絕命空間站
Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
英雄百夜
艾瑪·科林,麥卡·夢露,尼古拉斯·加利齊納,埃米爾·艾爾-馬斯里,查莉XCX,理查德·E·格蘭特,菲麗希緹·瓊斯,瓦拉達·塞圖,克里斯托弗·法里班克,馬凱拉·卡維納赫,湯姆·斯托頓,克萊爾·珀金斯,喬什·柯德雷,薩菲亞·奧克利-格林,畢揚·丹斯曼,杰夫·米爾扎,Olivia D'Lima,喬丹·庫爾森,邁爾斯·基奧治,科里·彼得森講述一個女性主義童話故事，為《一千零一夜》的新編，聚焦兩個相愛的女人Cherry（麥卡·夢露 飾）和Hero（艾瑪·科林 飾）：Cherry與邪惡的男子Jerome（埃米爾·艾爾-馬斯里 飾）結(jié)了婚，Jerome與他的朋友、好色的惡人Manfred（尼古拉斯·加利齊納 飾）打賭，看Manfred能否在100晚之內(nèi)勾引Cherry，如果Manfred成功，Jerome就把城堡和Cherry送給他。對此毫無興趣的Cherry與她的女仆兼情人Hero策劃了一計：在那100個夜晚，Hero將給Manfred講述一些吸引人的故事，讓Manfred從勾引計劃中分心。
極限人生2026
張子棟,張雪菡,肥龍,王蕊,曹然然,王曉曦,吳連生影片講述中年男子馬然為湊百萬彩禮錢加入地產(chǎn)中介項目，卻卷入詐騙案背負罪名，最終通過精心策劃洗脫嫌疑并將詐騙團伙繩之以法，同時收獲真愛的故事。
二十
金宇彬,李俊昊,姜河那,鄭素敏,李侑菲,閔孝琳,鄭珠妍該片講述的是三個二十歲的小伙兒青春年少的故事，金宇彬飾演的是一個不善處理異性關(guān)系、沖動熱血、游手好閑的家伙。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.