劇情縱覽
曼努爾和胡莉雅在某個(gè)夜晚偶然相遇,并度過(guò)了激情的一夜。盡管只是短暫的相遇,但他們之間迸發(fā)的情愫已遠(yuǎn)遠(yuǎn)超越單純的肉體關(guān)系。雖然兩人都已婚,但仍決定每周見(jiàn)面一次。未來(lái)的人生似乎已成定局,一眼就能看見(jiàn)盡頭,然而這段關(guān)系讓他們開(kāi)始去想是不是可以有不同的選擇,或許他們都值得擁有更多可能……
曼努爾和胡莉雅在某個(gè)夜晚偶然相遇,并度過(guò)了激情的一夜。盡管只是短暫的相遇,但他們之間迸發(fā)的情愫已遠(yuǎn)遠(yuǎn)超越單純的肉體關(guān)系。雖然兩人都已婚,但仍決定每周見(jiàn)面一次。未來(lái)的人生似乎已成定局,一眼就能看見(jiàn)盡頭,然而這段關(guān)系讓他們開(kāi)始去想是不是可以有不同的選擇,或許他們都值得擁有更多可能……
故事講述了Lea在酒吧遇到Rocco并成為他的情人的故事。他們的秘密戀情僅限于酒店房間,當(dāng)李開(kāi)始滲透到羅科的生活中,超越了他們的秘密遭遇時(shí),他們的關(guān)系發(fā)生了險(xiǎn)惡的轉(zhuǎn)折。
廣州末代西關(guān)小姐潘夢(mèng)蝶,曾是一位絕代佳人,如今住在西關(guān)大屋中。在將近一個(gè)世紀(jì)的時(shí)間長(zhǎng)河里,她堅(jiān)守著自己的愛(ài)情,堅(jiān)守著家族的秘密,堅(jiān)守著屬于她自己的祖屋……社區(qū)民警馬思鵬是一位身手矯健、頭腦聰穎、樂(lè)于助人的人民警察。他接到了一樁名為“代號(hào)西關(guān)小姐”的涉毒案件。在調(diào)查的過(guò)程中,馬思鵬結(jié)識(shí)潘夢(mèng)蝶及其后人葉伊西。隨著案件的深入,許多不為人知的秘密隨之解開(kāi),一場(chǎng)關(guān)于警民、親情、血緣等復(fù)雜情感的生死較量即將展開(kāi)……
該片講述四位朋友共同前往一座島嶼度假,期間他們接觸一種名為“Urge”的藥物,而當(dāng)四人吸食之后,他們將逐漸走向欲望的深淵。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.