欲望酒店 Hotel Desire (2011)
這是七月以來(lái)最熱的一天，單身母親托尼（Saralisa Volm 飾）匆忙洗漱后，便送七歲的兒子去趕車，兒子將到法國(guó)的父親那里度過(guò)夏令營(yíng)。當(dāng)焦頭爛額的托尼趕到她所工作的酒店，雖然已經(jīng)是干了五年的老員工了，但前臺(tái)小生還是拿遲到為難她。生活和工作的小磕絆并非托尼的全部煩惱，真正令她愁眉不展的是，自從與丈夫分開(kāi)后，她已經(jīng)七年沒(méi)有過(guò)性生活了，男人似乎都選擇對(duì)一個(gè)帶著小孩的女人視而不見(jiàn)，盡管托尼風(fēng)韻猶存。別無(wú)他法，托尼只好繼續(xù)如往日般打掃客房，當(dāng)打掃到最后一間客房時(shí)，這里似乎住著一位畫(huà)家，就當(dāng)托尼以為剛淋浴出來(lái)的他會(huì)對(duì)貿(mào)然闖入的自己發(fā)怒時(shí)，她卻發(fā)現(xiàn)眼前這個(gè)性感有趣的男人是位盲人……
即刻觀影
劇情賞析
編輯推薦
7號(hào)房的禮物
柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達(dá)洙,樸元尚,鄭滿植,葛素媛1997年，只有6歲兒童智商的智障男子李龍久（柳成龍 飾）和可愛(ài)的女兒藝勝（葛素媛 飾）相依為命，生活雖然簡(jiǎn)單清貧，卻充滿幸福。某天，執(zhí)著為女兒買美少女戰(zhàn)士書(shū)包的龍久意外卷入一起幼童誘拐奸殺案，而死者竟是警察局長(zhǎng)的女兒。龍久懵懂無(wú)知，搞不清狀況，昏頭昏腦就被投入監(jiān)獄。在7號(hào)牢房中，聚集著走私犯蘇楊浩（吳達(dá)洙 飾）、詐騙犯崔春浩（樸元尚 飾）、通奸犯姜萬(wàn)范（金正泰 飾）、恐嚇?lè)咐闲欤ń鸹鶢N 飾）和搶劫犯申奉植（鄭萬(wàn)植 飾）等五毒俱全的“社會(huì)渣滓”。龍久孩子般純潔的心漸漸感動(dòng)了這幾個(gè)“大壞蛋”，他們甚至不惜冒險(xiǎn)將藝勝帶入牢房與父親相會(huì)。黑暗冰冷的監(jiān)牢內(nèi)，7號(hào)牢房陽(yáng)光滿滿……
貞子大戰(zhàn)碟仙
黃焱明,趙紫彤影片主打懸疑驚悚，將中日鬼神文化腦洞大開(kāi)的融合在一起，兩股勢(shì)力的對(duì)戰(zhàn)讓影片過(guò)程驚喜不斷。高顏值與精良的制作讓這部電影成為難得的網(wǎng)絡(luò)大電影佳品?！ ∮捌铺旎牡膶⒇懽优c碟仙兩個(gè)角色設(shè)置成為撕逼對(duì)抗，增添了影片的可看性。人性化的處理、懸疑的升級(jí)、科學(xué)合理的解釋和恰到好處的驚悚效果，讓影片回歸到了十分理性的邏輯上。主演們均是養(yǎng)眼的俊男靚女搭配，身著統(tǒng)一的校園制服清新亮麗，讓一些男性觀眾對(duì)《貞子大戰(zhàn)碟仙》無(wú)可挑剔
金箍上的裂痕
【內(nèi)容由AI生成】畫(huà)手林默在AI霸權(quán)時(shí)代陷入創(chuàng)作焦慮 。西游世界中，真大圣憑借金箍裂痕覺(jué)醒 ，單槍匹馬擊碎黑六耳幻化的巨型機(jī)械妖猴 。隨著妖猴崩解，被囚禁的數(shù)據(jù)化作千萬(wàn)個(gè)神采各異的大圣眾生相?，F(xiàn)實(shí)中，林默拒絕AI優(yōu)化并關(guān)上電腦，回歸初心。他在爺爺墓前及街頭孩童揮舞廉價(jià)金箍棒的歡笑中領(lǐng)悟到，AI雖能模擬形態(tài)，卻無(wú)法替代人在不完美中堅(jiān)守本心的“選擇”。
翼
克拉拉·鮑,查爾斯·巴德·羅杰斯,理查德·阿倫,喬拜娜·勞斯頓,加里·庫(kù)珀故事發(fā)生在第一次世界大戰(zhàn)期間，瑪麗（克拉拉·鮑 Clara Bow 飾）暗戀著英俊的杰克（查爾斯·巴德·羅杰斯 Charles 'Buddy' Rogers 飾），可是杰克的心思卻全部放在了大小姐西爾維婭（喬拜娜·勞斯頓 Jobyna Ralston 飾）身上，無(wú)奈西爾維婭亦有她的心上人，那就是富家子弟大衛(wèi)（理查德·阿倫 Richard Arlen 飾）。戰(zhàn)爭(zhēng)爆發(fā)了，大衛(wèi)和杰克投身軍隊(duì)為國(guó)家效力，在軍中，身為情敵的兩人關(guān)系漸漸緊密，之后成為了摯友。一場(chǎng)激烈的戰(zhàn)役中，大衛(wèi)遭遇了意外，悲痛的杰克決心為朋友報(bào)仇。然而，杰克并不知道的是，大衛(wèi)沒(méi)有死，他甚至偷到了一架敵機(jī)。正當(dāng)大衛(wèi)喜滋滋地駕駛著敵機(jī)返回營(yíng)地之時(shí)，與為朋友報(bào)仇心切的杰克撞了個(gè)正著。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外星人2025
Annie Ngosi Ilonzeh·Marques Houston·Erica Mena·Drew Sidora·Erica Pinkett·Ken Lawson·Claudia Jordan·Obba Babatundé·Jensen Atwood·Taymour Ghazi·Mark Holzum·Jaime Alvarez·Daniel Rodger·Ashton Williams·Lincoln Blake·Dog在將未婚夫留在祭壇后，梅麗莎和朋友們一起住在一間小屋里。當(dāng)珍妮被發(fā)現(xiàn)在樹(shù)林里被肢解，外星人襲擊了國(guó)家時(shí)，女孩們必須為生存而戰(zhàn)。