前輩的女朋友

逃離奪命島

百年好合

　　富豪洪飛虎（古天樂(lè) 飾）因怪病找到峨嵋派掌門(mén)王鳳（鄭秀文 飾），她對(duì)飛虎的生性傲慢毫無(wú)好感，于是用盡各種奇怪的方法治療飛虎。王鳳的師姐李莫愁（李冰冰 飾）突然出現(xiàn)，并揚(yáng)言要鏟除峨嵋派。未免傷及無(wú)辜，王鳳盡快醫(yī)好了飛虎。知道了王鳳的惡作劇之后，飛虎憤然離開(kāi)了?！　榱伺c師姐決戰(zhàn)，王鳳急需練好“傷心斷腸劍”，但從未經(jīng)歷傷心之苦的她 無(wú)法領(lǐng)悟“百年好合”這一招式的要領(lǐng)，王鳳在眾人的勸說(shuō)下決定求助與飛虎。飛虎不計(jì)前嫌，用盡辦法讓王鳳傷心，練好招式。王鳳又能否成功？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

呼嘯山莊2026

 改編自英國(guó)著名作家艾米莉·勃朗特同名經(jīng)典作品，英格蘭北部的荒原之上，一場(chǎng)跨越階級(jí)的禁忌之戀正在上演。莊園之主的女兒凱茜（瑪格特·羅比 飾）與被收養(yǎng)的孤兒希斯克利夫（雅各布·艾洛蒂 飾）青梅竹馬，靈魂契合彼此深陷。愛(ài)意悄然滋長(zhǎng)之時(shí)，現(xiàn)實(shí)的殘酷和命運(yùn)的捉弄卻將二人分開(kāi)。多年以后，他攜風(fēng)暴回來(lái)，純潔的愛(ài)火逐漸從浪漫演變?yōu)榘V狂，譜寫(xiě)了一曲關(guān)于欲望、愛(ài)與瘋狂的史詩(shī)篇章。

養(yǎng)鬼吃人3

在經(jīng)歷了前兩集的失敗之后,修道士還不死心.他發(fā)現(xiàn)那個(gè)邪惡的魔方被一個(gè)花花公子買(mǎi)走了,于是他以這個(gè)花花公子做誘餌來(lái)吸引犧牲品,在人間大開(kāi)殺戒.修道士打算把魔方毀去,這樣他就永遠(yuǎn)不用再回到地獄.但是一個(gè)女記者發(fā)現(xiàn)了這些可怕的兇殺案,并將修道士又一次送回了地獄.....

布袋人

　　本片改編自民間傳說(shuō)，幾個(gè)世紀(jì)以來(lái)，在不同的文化背景下，父母都會(huì)警告他們的孩子要小心傳說(shuō)中的Bagman。Bagman會(huì)把無(wú)辜的孩子抓走，塞進(jìn)那骯臟腐爛的袋子里，再也沒(méi)法回到父母身邊。Patrick McKee小時(shí)候曾逃過(guò)此劫，但這給他的生活留下了永久的創(chuàng)傷?，F(xiàn)在，Bagman又回來(lái)了，威脅著他妻子Karina和兒子Jake的安全。

月球

　　2029年，韓國(guó)載人飛船“探月號(hào)”出發(fā)前往月球，即將產(chǎn)生第二個(gè)成功登月的國(guó)家，任務(wù)備受全世界矚目。然而“探月號(hào)”不幸遇上太陽(yáng)黑子爆發(fā)所引致的太陽(yáng)風(fēng)暴，發(fā)生嚴(yán)重意外，宇航員黃善宇（都暻秀 飾）成為“探月號(hào)”的唯一幸存者。為了營(yíng)救流浪月球的黃善宇，隱居小白山天文臺(tái)的前載人飛船飛行總監(jiān)金載國(guó)（薛景求 飾），加入了救援行動(dòng)，同時(shí)韓國(guó)政府亦要求美國(guó)太空總署（NASA）的總監(jiān)尹文英（金喜愛(ài) 飾）及月球門(mén)戶(hù)太空站介入?yún)f(xié)助，但卻一直遇上重重阻撓。載人飛船的燃料將近耗盡，氧氣亦正在倒數(shù)，再加上流星雨撞擊與月震，被孤立在38.4萬(wàn)公里以外月球上的宇航員黃善宇，個(gè)人的一小步也足以令全球人類(lèi)緊張屏息，到底營(yíng)救行動(dòng)會(huì)如何發(fā)展？