我的男人

當他們假裝還愛著對方的時候，YouTube上的“丁”和“寶石”情侶?在正式分手前，這對夫婦為了最后一篇內(nèi)容而放棄了鉆石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教練，他利用孩子作為謀生手段，并打算從妻子那里獲得監(jiān)護權，他們?nèi)齻€別無選擇，只能互相幫助來完成這次營救任務。當車開走的時候，突然，這個可怕的神秘人從黑暗中冒了出來，導致他的車出了事故，無法繼續(xù)前進，他自告奮勇地把這三個人帶到一個偏遠的玉米地的廢棄房子里過夜。面對“Mahathirachai”，一個邪惡的鬼魂，包括房子里的居民，他們既看不見，也看不見。起初，他們認為這所房子里的鬼故事都是由幻象引起的，但當他們發(fā)現(xiàn)每個人都和一個來自前國家的鬼魂有關時，他們花了幾百年的時間想要從他們那里得到一些東西!

　　勞拉，來自馬德里的西班牙律師，為尋找她失蹤的妹妹薩拉，深入剛果叢林的鈳鉭鐵礦產(chǎn)區(qū)，營救妹妹

　　Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.