俱樂(lè)部的女人

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

在西班牙馬略卡島的一次旅行中，兩位年輕女子（吉爾和薇薇安）在一家偏僻的酒吧里遇到了一群歐洲游客。她們一起游覽了當(dāng)?shù)氐耐讲铰肪€，卻以薇薇安慘遭殺害而告終。友誼逐漸被猜忌和恐懼所取代，幸存者們開(kāi)始努力找出潛伏在她們中間的兇手?！剪斂朔ü?/p>

暴風(fēng)雨中，3名女子學(xué)校的學(xué)生被困在地下坑里，他們必須直面各自的內(nèi)心沖突，奮力求生。

 影片講述邁克爾·杰克遜在音樂(lè)之外的人生旅程，從他以杰克遜五人組主唱之姿被發(fā)掘出驚人天賦的那一刻起，直到他成為一位極具遠(yuǎn)見(jiàn)的藝人，他以無(wú)窮無(wú)盡的創(chuàng)作能力激勵(lì)自己成為全世界最偉大的娛樂(lè)巨星。這部電影同時(shí)呈現(xiàn)邁克爾·杰克遜舞臺(tái)之外的真實(shí)人生，并且重現(xiàn)他早期個(gè)人演藝生涯中最具代表性的經(jīng)典表演，這部電影為觀眾提供最貼近的視角，以前所未見(jiàn)的方式窺探這位流行天王的內(nèi)心世界。他的故事就此展開(kāi)。