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雙山阻擊戰(zhàn)
洪衛(wèi),劉冠霖,葛佳佳,郭廣平,周惠林回望歷史所帶來的震撼，它讓我們牢記：中華兒女只要萬眾一心，就能抵御一切來犯之?dāng)?，就能?shí)現(xiàn)屹立于世界民族之林的中國夢。
崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎貝爾,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor NoorAn isolated town in Alaska where a contamination occurs after a minor meteorite explosion.
暗夜呢喃
Stephen Blackehart,Mark Colson,Lance J. HoltBased on the H. P. Lovecraft story of the same name, a folklorist investigates reports of unusual creatures in Vermont only to uncover more than he bargained for
猶大與黑彌賽亞
丹尼爾·卡盧亞,勒凱斯·斯坦菲爾德,杰西·普萊蒙,多米尼克·菲什巴克,艾什頓·桑德斯,阿爾吉·史密斯,達(dá)里爾·布里特-吉布森,里爾·萊爾·哈瓦瑞,多米妮克·索恩,馬丁·辛,阿馬里·切托姆,克里斯·戴維斯,伊恩·達(dá)夫,卡勒布·埃伯哈特,羅伯特·朗斯特里特,湯米·拉菲特,特雷勒·希爾,齊納·薩維爾斯,邁克爾·哈瑞蒂,邁克爾·博諾莫,布萊恩·鮑曼,杰梅因·福勒,洛根·弗萊,泰拉·喬伊·史密斯影片改編自真人真事。講述了1960年代美國黑人社團(tuán)黑豹黨歷史上的真實(shí)事件，故事聚焦于Hampton之死，他于1969年被殺，死于芝加哥警察局和FBI組織的一次突襲行動。警方開了80槍，而“黑豹黨”成員一共只開了一槍，這一槍還是來自于一位成員被警方打死后的肌肉收縮。Hampton與懷孕的未婚妻正在睡覺時，頭部被近距離射殺2槍，他當(dāng)晚被下了藥，根本沒聽見任何警方的動靜，死后尸體被拖進(jìn)小巷中，年僅21歲。經(jīng)過審訊，他的死被判定為“正當(dāng)殺人”，后來在1982年，以185萬美元的賠償數(shù)額，達(dá)到了民事訴訟的庭外和解。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
終歸為塵
安吉拉·莫利納,阿爾佛萊德·卡斯特羅,莫妮卡·阿爾米拉爾,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M在被診斷出患有絕癥后，克萊爾決定進(jìn)行最后一次旅行，前往瑞士。在那里，她可以在一家協(xié)助自殺協(xié)會的幫助下決定如何以及何時結(jié)束自己的生命。陪伴她超過四十年的查洛決定與她一同踏上這段單程之旅。與此同時，摩根娜在父母之間以及他們即將離開的所有事物之間成為了一個不情愿的調(diào)解人，同時也在努力尋找自己在這個故事中的位置。