兒子與情人
劇情描述年輕礦工保羅個(gè)性文靜而敏感，其母葛楚因與時(shí)常酗酒的丈夫感情不睦，竟轉(zhuǎn)向兒子尋求愛(ài)的寄托，情感超過(guò)了正常的母愛(ài)。這種情形影響了保羅跟女朋友米莉安的交往，米莉安因家庭嚴(yán)格的宗教觀念影響，使她只想追求精神戀愛(ài)而排斥肉體的熱情。保羅為了擺脫母親的控制與女友的感情打擊，竟一頭投入與夫分居的女工克萊拉的懷抱，但旋即發(fā)現(xiàn)兩人在精神上缺乏溝通。最后，保羅拋棄了這座單調(diào)乏味的煤礦小鎮(zhèn)，到異鄉(xiāng)另闖天下
即刻觀影
劇情賞析
編輯推薦
香煙和熱巧克力
古斯塔弗·科文,卡米爾·科坦,Hélo?se Dugas,芬妮·賈尼尼即將失去撫養(yǎng)權(quán)的父親，逼不得已成為模范父親，用“壞”的方式教育女兒，笨拙又無(wú)條件。從不正常的家庭應(yīng)對(duì)現(xiàn)代生活的反映，上升到了社會(huì)議題。有別于傳統(tǒng)的法國(guó)喜劇。。。。
春生回家
日軍侵華，陳春生目睹父親慘死刀下，執(zhí)念驅(qū)使他不顧母親哀求，深夜偷跑參軍，立誓抗日救國(guó)，再回家鄉(xiāng)。他在戰(zhàn)場(chǎng)浴血成長(zhǎng)，終見(jiàn)山河光復(fù)，然而內(nèi)戰(zhàn)打響，拖慢了他回鄉(xiāng)的腳步。陳春生拒絕向同胞舉槍，淪為逃兵被關(guān)押，1949年被強(qiáng)行運(yùn)往臺(tái)灣。在臺(tái)數(shù)十年，他漂泊無(wú)依，雖遇良伴組建新家，卻始終被思鄉(xiāng)之苦煎熬。兩岸三通后，他竟得知母親仍在等他，八十三歲的他飛奔回鄉(xiāng)，與百歲母親相認(rèn)，這份遲到71年的承諾，終在生命盡頭圓滿。
再見(jiàn)六月
凱特·溫斯萊特,托妮·科萊特,海倫·米倫,安德麗婭·賴斯伯勒,蒂莫西·斯波,約翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德萊頓,費(fèi)塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇爾·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler故事發(fā)生在圣誕節(jié)前夕，母親的健康突然出狀況，讓四名成年子女和他們令人頭痛的父親慌了手腳，面對(duì)可能即將發(fā)生的失去，家庭氣氛也混亂失衡。但聰明的母親六月處變不驚，以犀利的幽默、坦率的態(tài)度和豐沛的愛(ài)，安排好自己的人生謝幕。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
下一個(gè)臺(tái)風(fēng)
張子楓,張偉麗,李心潔,姚晨,李曉川,蔡珩,曾慕梅,柴燁,蔣昀霖臺(tái)風(fēng)剛過(guò)的海島之上，一只眼受傷的城市女生林沫沫（張子楓 飾），與島上土生土長(zhǎng)的失語(yǔ)女孩阿汐（張偉麗 飾）猝然相遇。當(dāng)無(wú)情的風(fēng)暴逐漸撕開兩人隱秘哀傷的過(guò)往，兩個(gè)看似另類但熾熱的青春，相互慰藉，彼此支撐，用友情的力量對(duì)抗人生的臺(tái)風(fēng)。隨著青蚵嫂（李心潔 飾）臨終透露的驚天秘密和陳淑楠（姚晨 飾）的突然闖入，席卷沫沫與阿汐的下一個(gè)臺(tái)風(fēng)突如其來(lái)，風(fēng)眼之下，望風(fēng)而逃還是迎風(fēng)而上？她們必須做出抉擇。
毀滅者2
Terry Kiser,Cody Renee Cameron,Eva Hamilton1984年經(jīng)典恐怖片的續(xù)集。