黑貓之眼

? 4.6 播放：55萬(wàn) 2026-05-02

維洛是一個(gè)燒壞的作家，住在他的莊園附近的威尼斯，他死去的母親主宰了他的想象。他也是一個(gè)退化：睡覺(jué)的時(shí)候女仆和他的前學(xué)生，舉辦酒神節(jié)為本地嬉皮士和侮辱他的妻子伊琳娜在陌生人面前。她住在恐怖。當(dāng)一個(gè)年輕女子被謀殺，警方懷疑維洛。事情變得復(fù)雜，當(dāng)他年輕，美麗，自信的侄女，弗洛里亞納，支付意想不到的訪問(wèn)。一頭銀發(fā)的陌生人觀察。更多的婦女死亡，損害伊琳娜的想法給維洛新的靈感。什么是弗洛里亞納的游戲，誰(shuí)是敏銳的陌生人？看著這一切是一只黑貓叫撒旦。 　　

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劇情提要

維洛是一個(gè)燒壞的作家，住在他的莊園附近的威尼斯，他死去的母親主宰了他的想象。他也是一個(gè)退化：睡覺(jué)的時(shí)候女仆和他的前學(xué)生，舉辦酒神節(jié)為本地嬉皮士和侮辱他的妻子伊琳娜在陌生人面前。她住在恐怖。當(dāng)一個(gè)年輕女子被謀殺，警方懷疑維洛。事情變得復(fù)雜，當(dāng)他年輕，美麗，自信的侄女，弗洛里亞納，支付意想不到的訪問(wèn)。一頭銀發(fā)的陌生人觀察。更多的婦女死亡，損害伊琳娜的想法給維洛新的靈感。什么是弗洛里亞納的游戲，誰(shuí)是敏銳的陌生人？看著這一切是一只黑貓叫撒旦。 　　

幕后花絮

養(yǎng)鬼吃人6：死亡代碼

　　在"猛鬼追魂"系列的第5集中， 手拿魔方，以"制造悲傷"著稱， 有魔力的Pinhead(道格·布拉德利)已經(jīng)返回，準(zhǔn)備再次用他的大批的Cenobites給地球上的人們帶來(lái)地獄般的惡夢(mèng)、折磨和死亡。 但是Kirsty科頓·(阿什利·勞倫斯)， 唯一已經(jīng)戰(zhàn)勝二次Pinhead的人，回來(lái)，準(zhǔn)備再一次跟Pinhead 和Cenobites作戰(zhàn)。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster