盧丹的惡魔
肯·羅素(Ken暫無內(nèi)容Russell)根據(jù)約翰·惠廷(John暫無內(nèi)容Whiting)1961年的RSC戲劇改編,原作為阿道司.赫胥黎(Aldous暫無內(nèi)容Huxley)于1952年進(jìn)行的盧丹冤案的研究。暫無內(nèi)容影片主要內(nèi)容是發(fā)生在17世紀(jì)法國(guó),個(gè)人自由主義色彩濃厚的烏爾班·格蘭迪神父(Ur暫無內(nèi)容bain暫無內(nèi)容Grandier)頂撞到了天主教樞機(jī)黎塞留公爵的權(quán)威,從而導(dǎo)致公爵和教會(huì)開始共謀如何利用修女被“惡魔”附身這一借口來陷害神父,最終導(dǎo)致悲劇發(fā)生。暫無內(nèi)容這部電影雖然有很多大膽驚人的地方,但不妨礙其成為英國(guó)電影中獨(dú)特且具有里程碑意義的影片。奧利弗·里德(Oliver暫無內(nèi)容Reed)飾演格蘭迪神父和凡妮莎·雷德格雷夫(Vanessa暫無內(nèi)容Redgrave)飾演的女修道院院長(zhǎng)都表現(xiàn)出色,Derek暫無內(nèi)容Jarman設(shè)計(jì)的片場(chǎng)布景更是令人難忘。暫無內(nèi)容編劇阿爾多斯·赫胥黎為導(dǎo)演肯·羅素這部火花四濺的杰作提...
劇情簡(jiǎn)介
肯·羅素(Ken暫無內(nèi)容Russell)根據(jù)約翰·惠廷(John暫無內(nèi)容Whiting)1961年的RSC戲劇改編,原作為阿道司.赫胥黎(Aldous暫無內(nèi)容Huxley)于1952年進(jìn)行的盧丹冤案的研究。暫無內(nèi)容影片主要內(nèi)容是發(fā)生在17世紀(jì)法國(guó),個(gè)人自由主義色彩濃厚的烏爾班·格蘭迪神父(Ur暫無內(nèi)容bain暫無內(nèi)容Grandier)頂撞到了天主教樞機(jī)黎塞留公爵的權(quán)威,從而導(dǎo)致公爵和教會(huì)開始共謀如何利用修女被“惡魔”附身這一借口來陷害神父,最終導(dǎo)致悲劇發(fā)生。暫無內(nèi)容這部電影雖然有很多大膽驚人的地方,但不妨礙其成為英國(guó)電影中獨(dú)特且具有里程碑意義的影片。奧利弗·里德(Oliver暫無內(nèi)容Reed)飾演格蘭迪神父和凡妮莎·雷德格雷夫(Vanessa暫無內(nèi)容Redgrave)飾演的女修道院院長(zhǎng)都表現(xiàn)出色,Derek暫無內(nèi)容Jarman設(shè)計(jì)的片場(chǎng)布景更是令人難忘。暫無內(nèi)容編劇阿爾多斯·赫胥黎為導(dǎo)演肯·羅素這部火花四濺的杰作提...
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尼古拉斯·凱奇,妮可·基德曼,本·門德爾森,麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達(dá)什·米霍克,艾米麗·梅德,尼可·托托雷拉米勒一家似乎擁有所有人都?jí)裘乱郧蟮纳睿汉勒?、跑車、美滿的家庭。在一個(gè)普通的日子,美麗的妻子薩拉(妮可·基德曼 Nicole Kidman 飾)迎接出差回家的丈夫,成功的鉆石采購(gòu)商凱爾(尼古拉斯·凱奇 Nicolas Cage 飾)。凱爾回家的同時(shí)青春期的女兒則艾弗瑞(麗亞娜·萊伯拉托 Liana Liberato 飾)瞞著父母偷偷溜出家門去參加朋友家的派對(duì)??墒翘煊胁粶y(cè)風(fēng)云,一伙由四人組成的搶劫團(tuán)伙闖進(jìn)米勒家,綁架了夫婦二人欲實(shí)施搶劫。艾弗瑞參加完派對(duì)回家也不幸撞到了家中正在發(fā)生的悲劇。面對(duì)喪心病狂的劫匪,米勒一家將怎樣解除危機(jī)?他們是否會(huì)安然無恙?而這看似普通的搶劫背后是否又有不為人知的陰謀和骯臟的秘密?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我親愛的小姐
Elisabeth Martínez,安娜·卡斯蒂羅,帕科·萊昂,馬努·里奧斯,羅拉·羅德里格茲,Nagore Aranburu,恩尼科·薩伽多伊,瑪莉亞·加利亞納,Nico Montoya,阿麗娜·拉祖梅科,Usúe álvarez,Esperanza Guardado,Delphina Bianco,I?igo de la Iglesia,Isabel Miguel Hernanz《我最親愛的小姐》由哈維爾·卡爾沃和哈維爾·安布羅西制作,改編自1972年奧斯卡提名的同名電影,由杰米·德·阿里馬南執(zhí)導(dǎo),他與何塞·路易斯·博勞共同撰寫劇本,由何塞·路易斯·洛佩斯·巴斯克斯主演。
粽邪3:鬼門開
張庭瑚,李興文,吳奕蓉,許安植,陳博正,劉國(guó)劭,李明倉(cāng),王彩樺,黃柔閩,陳為民,曾莞婷,鄒承恩,陳雪甄,施冬麟,許莉廷,陳少卉,陳昭妃,姜仁,游否希講述冠宇(張庭瑚 飾)因與父親武雄(李興文 飾)不合,為了賺錢早日搬離家,與好友龜仔(李明倉(cāng) 飾)一起到旅社打工,不料打掃的房間竟有人自縊身亡,房?jī)?nèi)充斥不祥的泰國(guó)符號(hào),而旅社老板娘(吳奕蓉 飾)更是舉止詭異,整間旅社彌漫著死亡的氣息,向冠宇席卷而來。
新的景色
黑崎煌代,遠(yuǎn)藤憲一,井川遙,木龍麻生,菊池亞希子,中山慎吾,吉岡睦雄,蘇鈺淳,服部樹咲,石田莉子,荒生凜太郎,中村蒼高野任職園境建筑師,規(guī)劃澀谷宮下公園重建;露宿者被驅(qū)趕,讓路予結(jié)合戶外休憩與購(gòu)物商場(chǎng)的新地標(biāo)。為了工作犧牲家庭,大刀闊斧改造都市面貌,自己卻家破人亡了。十年后,一盆蝴蝶蘭令父子重遇,女兒已不再在乎長(zhǎng)期缺席的父親。重回故地,親子關(guān)系能否重建?團(tuán)冢唯我首部長(zhǎng)片,善用建筑空間顯現(xiàn)家庭創(chuàng)傷,靜謐中蘊(yùn)藏情感波動(dòng),再以破碎燈泡讓記憶回魂。被離棄的世代游走于冷漠城市,重新審視家人之間的距離之余,亦察看一座城市于急速變形下殘留的空洞。
最偉大的時(shí)光
艾斯林·貝亞,馬修·麥克諾提,愛麗絲·洛維,伊莎貝爾·貝爾納多,?,敗ぐ⒛?羅拉·麥克唐納,齊吉·希思,馬克·伍頓,阿爾弗雷多·塔瓦雷斯,Jayde Adams,安馬卡·奧卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou露絲·威爾森、庫(kù)什·珍寶、裴淳華正商談主演改編自大熱音樂劇《The Band》的新片[最偉大的時(shí)光](Greatest Days,暫譯)。影片由科奇·吉爾佐(《名姝》)執(zhí)導(dǎo),片名靈感源自英國(guó)流行組合接招合唱團(tuán)(Take That)的同名歌曲。故事圍繞著五名女學(xué)生展開,她們?cè)谧约鹤钕矚g的男孩樂隊(duì)的演唱會(huì)上,度過了一生中最難忘的夜晚。25年后,她們的生活以及生活方式發(fā)生了翻天覆地的變化,她們相聚在一起回望過去并探索未來。接招合唱團(tuán)成員包括加里·巴洛、霍華德·唐納德、杰森·奧蘭奇、馬克·歐文和羅比·威廉姆斯。環(huán)球音樂集團(tuán)將全力助陣該項(xiàng)目,接招合唱團(tuán)的大量歌曲將獲得使用,包括《Patience》《Back For Good》《A Million Love Songs》《Relight My Fire》《Could It Be Magic》等金曲將全部在影片中呈現(xiàn)。
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