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一個(gè)星期三的下午
Anupam Kher,Naseeruddin Shah奔跑的犀牛
張釗,張揚(yáng),劉哲奇幻之家
趙文琪,李琦,斯琴高娃,顏勤,徐日東升,宋祉璇,來喜,天賜,張明明,孟繁淼,馬國芯,吳一熳,徐日光耀,張韶潔,趙溦,宋牧晨,王慶峰,李時(shí)雨,孫悅瑪麗和麥克斯
托妮·科萊特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗萊斯,艾瑞克·巴納,貝塔尼·維特莫爾,蕾妮·蓋耶,伊恩·莫利·梅爾德倫,朱莉·福塞斯,約翰·弗勞思,克里斯托弗·馬西,卡羅琳·莎士比亞-艾倫,琳恩·史密斯,邁克爾·延納超暴力機(jī)斗
Ben Naasz,Teddy Ca?ez,Jennifer Sydney地下世界
喬治·班克羅夫特,艾弗琳·布倫特,克里夫·布洛克,弗萊德·科勒,海倫·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero同類推薦
我老婆不是人
梁家輝,關(guān)之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅(jiān)庭建筑師托尼（梁家輝 飾）的個(gè)性十分木訥老實(shí)，以至于他暗戀同時(shí)艾琳（陳雅倫 飾）多年，卻總也鼓不起勇氣表白，更糟的是，艾琳已有一位感情親密的男友，托尼的單戀似乎注定不會(huì)有結(jié)果。一次偶然中，托尼被猛鬼纏身，索性得到名為嘉嘉（關(guān)之琳 飾）的女鬼相助才得以脫身，也正因?yàn)檫@件事，托尼擁有了能與嘉嘉心意相通的特異功能?！ 〉弥送心岬目鄳?，熱心的嘉嘉決定幫他一把，一番波折之后，艾琳終于離開了男友，投入了托尼的懷抱，可是，直到這時(shí)，托尼才發(fā)現(xiàn)自己其實(shí)早已經(jīng)深深的愛上了嘉嘉，無奈人鬼殊途，無法承受分離之苦的托尼竟然決定殉情。
毛骨悚然撞鬼經(jīng) 2012夏季特別篇
山下智久,岡田將生,香里奈,剛力彩芽,スギちゃん,稻垣吾郎,本田翼,堀內(nèi)敬子,蓮佛美沙子,洼田正孝,橋本真實(shí),菅田將暉,高橋光臣,手塚理美,木南晴夏,池津祥子《紅指甲》備受人際關(guān)系困擾的公司職員石田（山下智久 飾）回家途中意外拐錯(cuò)了叉路口，險(xiǎn)些喪命。據(jù)說走錯(cuò)叉路口的人絕對(duì)不可以把看到的東西告訴別人，否則對(duì)方將遭遇不幸。某晚，石田突然想起了那一天看到的景象?！侗辉{咒的病室》新人護(hù)士佐野愛莉（剛力彩芽 飾）偶然發(fā)現(xiàn)，居住在308病房的病人，去世前總會(huì)凝視著病房屋頂某個(gè)地方，那里似乎有什么東西存在。《右肩之女》近段時(shí)間，青年利也（岡田將生 飾）總是感覺肩膀很沉，他頗有些靈力的女友告訴他，他的右肩待著一位大嬸；《午夜末班車》男子（スギちゃん 飾）看錯(cuò)時(shí)間，錯(cuò)過了一個(gè)小時(shí)前的地鐵末班車。正當(dāng)他懊悔之際，他的眼前?？苛艘惠v空無一人的列車；《夏日回憶》聰美（香里奈 飾）不久前與愛慕自己的青梅竹馬好友小悠（菅田將暉 飾）生離死別，某天晚上，小悠的身影出現(xiàn)在聰美床頭……
太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飛往黑洞的宇宙飛船上，一群被判死刑的罪犯被賦予太空英雄般的使命，去為地球?qū)ふ姨娲茉?。囚犯之間的性活動(dòng)被嚴(yán)格禁止，只能通過飛船上的"盒子"裝置來緩解生理沖動(dòng)。其中，Dibs博士(朱麗葉·比諾什 飾)將每個(gè)囚犯當(dāng)作實(shí)驗(yàn)動(dòng)物對(duì)待，并瘋狂致力于通過人工授精來制造嬰兒，然而這些實(shí)驗(yàn)卻一直沒有成功，直到她偷偷取得奉行禁欲生活的Monte(羅伯特·帕丁森 飾)的精液...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
失蹤兒童錄像帶
杉田雷麟,平井亞門,森田想,藤井隆敬太（杉田雷麟 飾）的弟弟日向很久之前，在山中失蹤。敬太一直還在尋找弟弟。一天，他突然收到母親寄來的一盤舊錄像帶，里面是弟弟失蹤瞬間的錄像。 敬太擅長(zhǎng)通靈的室友（平井亞門 飾）從錄像帶中感受到了不祥的氣氛，并勸敬太不要過多地介入其中。 隨后，他倆與一直報(bào)道此事的記者 美琴（森田想 飾）共同前往了弟弟失蹤的那座山。