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德國懸案事件簿:失蹤警探
羅蘭·維斯內(nèi)克,梅克·德羅斯特,馬克·本杰明·普赫畫筆與旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro像這樣的夜晚
亞歷山大·林肯,杰克·布雷特·安德森,大衛(wèi)·布拉德利,Jimmy Ericson,貝絲·里朗斯,凱恩·薩里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson尋愛之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗?;ㄅc野出租
袁帥,蔡蝶,孫逢苑,王怡蘇,孫小孟暗泳
懷亞特·拉塞爾,凱瑞·康頓,艾米麗·霍菲爾,加文·沃倫,南希·利內(nèi)翰,本·辛克萊爾,喬迪·朗,埃迪·馬丁內(nèi)斯,普雷斯頓·加利,埃莉·阿萊扎,艾萬·烏塔帕,埃莉諾·T·斯雷特,以利亞·J·羅伯茨同類推薦
薩利姆鬼屋事件
小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone新警長一家住進(jìn)了免費(fèi)的一個(gè)很大的老房子里,但里面卻有.... The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.
喜羊羊與灰太狼之羊年喜羊羊
祖晴,張琳,楊陽洋,高全勝,梁穎,鄧玉婷,劉紅韻,趙娜在陽光明媚的日子里,灰太狼突然闖入羊村,雖然他被小羊羊們擊退,卻把村長的變身魔毯打劫回去。表現(xiàn)英勇的喜羊羊受到伙伴們的稱贊,而懶羊羊?qū)Υ朔炊行崙嵅黄健榱俗C明自己的實(shí)力,他將慢羊羊的時(shí)空照相機(jī)錯(cuò)認(rèn)為手槍,將其偷走后闖入狼堡。得知消息的喜羊羊匆匆趕去營救,結(jié)果在混亂之中被卷入時(shí)空亂流回到了遠(yuǎn)古時(shí)代,灰太狼和懶羊羊更被魔毯互換了身體?;姨菬o意中被原始羊的千金相為駙馬,懶羊羊則成為幾只笨狼的首領(lǐng)。 可怕的是有一條能把任何生物變成石頭的惡龍肆虐,為了保衛(wèi)原始時(shí)代的朋友們,喜羊羊他們攜手挑戰(zhàn)惡龍,懶羊羊更成為了足以改變歷史的英雄人物……
入主客房
圭多·卡普里諾,卡米拉·菲利皮,愛德華多·佩謝,Romeo PellegriniThe morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.
被時(shí)間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯本片根據(jù)艾德加·賴斯·巴勒斯的小說改編而成。講述的是第一次世界大戰(zhàn)期間,一艘德國潛艇在撞沉一艘英國人的船以后,救起了幸存者。但是這艘潛艇開錯(cuò)了方向,將這些幸存者帶到了一片未知的土地上。那里,棲息著大量的恐龍和穴居人。他們能順利地重返家園嗎?
皆為好事
盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉?dú)W瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus ViniciusBeginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.