惡與假面的規(guī)則 悪と仮面のルール (2018)
某大財(cái)團(tuán)財(cái)閥之子久喜文宏，在11歲那年被父親（村井國夫 飾）告知，他來到這個(gè)世上的目標(biāo)就是要被打造成為足以給世人造成巨大災(zāi)難的極致之惡。為了讓兒子完成蛻變，惡毒的父親竟不惜玷污少年的初戀女孩香織。危機(jī)時(shí)刻，少年殺死了父親，逃遁失蹤。十幾年后，長(zhǎng)大了的文宏（玉木宏 飾）改頭換面，以新谷弘一的名字展開新的生活。他千方百計(jì)找到香織（新木裕子 飾），從此逡巡在對(duì)方身邊，為了保護(hù)香織不惜再度殺人。未過多久，知曉弘一過往人生的同父異母哥哥久喜干彥（仲村達(dá)也 飾）與策劃顛覆日本的恐怖分子伊藤亮祐（吉澤亮 飾）勾結(jié)在一起，他們更將目標(biāo)鎖定在香織身上。弘一不得不與自己的過去以及黑暗的命運(yùn)做個(gè)了斷……
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劇情提要
某大財(cái)團(tuán)財(cái)閥之子久喜文宏，在11歲那年被父親（村井國夫 飾）告知，他來到這個(gè)世上的目標(biāo)就是要被打造成為足以給世人造成巨大災(zāi)難的極致之惡。為了讓兒子完成蛻變，惡毒的父親竟不惜玷污少年的初戀女孩香織。危機(jī)時(shí)刻，少年殺死了父親，逃遁失蹤。十幾年后，長(zhǎng)大了的文宏（玉木宏 飾）改頭換面，以新谷弘一的名字展開新的生活。他千方百計(jì)找到香織（新木裕子 飾），從此逡巡在對(duì)方身邊，為了保護(hù)香織不惜再度殺人。未過多久，知曉弘一過往人生的同父異母哥哥久喜干彥（仲村達(dá)也 飾）與策劃顛覆日本的恐怖分子伊藤亮祐（吉澤亮 飾）勾結(jié)在一起，他們更將目標(biāo)鎖定在香織身上。弘一不得不與自己的過去以及黑暗的命運(yùn)做個(gè)了斷……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡魔的破壞 后篇
三年前的8月31日，“侵略者”巨大的母艦突如其來地降臨在東京，眼看這個(gè)世界即將迎來末日?！ ∽源酥螅^望漸漸地融入了日常生活；大大的飛碟盤旋于空中，今天也依然不變地持續(xù)環(huán)繞著世界。而在還沒有來到世界末日的此刻，小山門出、中川凰蘭這兩個(gè)高中女生的青春時(shí)代才正要展開。