露露
1980年Walerian暫無內(nèi)容Borowczyk的電影露露是由弗蘭克暫無內(nèi)容魏德金的基礎(chǔ)上創(chuàng)建的同名人物。暫無內(nèi)容;露露暫無內(nèi)容跟蹤一個(gè)誘人的舞者，其欲望是直接連接到她的命運(yùn)興衰。名義上的若蟲喜歡勾引掠過浪漫浪漫，戰(zhàn)略定位自己的社會(huì)和經(jīng)濟(jì)收益。她的戀人，體現(xiàn)了維多利亞的原型，從炫耀什么現(xiàn)在放蕩不羈的藝術(shù)家的資產(chǎn)階級(jí)新聞?dòng)浾咛煺娴哪贻p人被稱為;獎(jiǎng)杯妻暫無內(nèi)容的老教授。暫無內(nèi)容Borowczyk魏德金的情節(jié)劇的改編強(qiáng)調(diào)諷刺性的故事，諷刺性關(guān)系的上層中產(chǎn)階級(jí)的態(tài)度。
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靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫碧時(shí)空的轉(zhuǎn)換，現(xiàn)在與未來的穿梭，都在杰克（亞德里安·布洛迪 Adrien Brody 飾）身上神奇的發(fā)生著。他本來是一個(gè)參與過海灣戰(zhàn)爭的美國軍人。意外中彈令他喪失了記憶，成為一個(gè)失憶者。繼而更倒霉的是，他被警方認(rèn)作殺人疑犯拉回審訊。因?yàn)榕卸榫窦膊。芸嗣庥谧?，只是被帶到精神病院，作為某?xiàng)科學(xué)實(shí)驗(yàn)的樣品?！ ♂t(yī)生為杰克穿上了緊身衣物，把他放進(jìn)停尸間。這里黑暗冰冷，只剩下零散的記憶碎片陪伴杰克。碎片中有著他將來的模樣，有著一個(gè)心愛的叫杰基（凱拉·奈特利 Keira Knightley飾）的女子，更有著自己快要死去的訊息。在記憶中看到將來的杰克，在一線希望中尋找著通往生機(jī)的鑰匙。
賞金獵豬
安迪·瑟金斯,杰森·蘇戴奇斯,雷恩·威爾森,洛琳·阿什伯恩,魯保羅,謝爾碧·楊,Flavor Flav,莉莉·辛格,查爾斯·阿德勒,阿妮塔,漢納·蓋茨比賞金獵豬，一只被人類雇傭去抓捕那些逃亡動(dòng)物的豬。在追捕一只從一個(gè)邪惡馬戲團(tuán)逃亡的大象過程中，但卻陷入了一場兩只動(dòng)物的全球冒險(xiǎn)之中，這也在慢慢改變他的一些觀念。
風(fēng)車小騎士
Facundo Reyes,Marina Blanke,Julian Janssen"Giants of La Mancha" is an extraordinary and adventurous journey for the whole family, following 11-year-old Alfonso, heir to Don Quixote, and his three imaginary rabbits, which are joined by Pancho and Victoria. With their power of friendship, they save their beloved hometown somewhere in La Mancha from a huge storm.. They dream the impossible dream, overcome their fears, and use their imagination to find the real force behind the storm.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鱷魚萊萊
肖恩·蒙德茲,哈維爾·巴登,吳恬敏,斯科特·麥克納里,溫斯洛·費(fèi)格雷,布倫特·吉爾曼,薩爾·維斯庫索,多恩·迪皮塔,尤西·丘辟特,科拉·林德爾,馬克·威爾斯,林賽·莫澤,丹尼·所羅門影片改編自風(fēng)靡全球的同名繪本系列，肖恩·蒙德茲獻(xiàn)聲演唱鱷魚萊萊?！ 」适轮v述了小男孩喬什·普利姆跟隨父母舉家搬進(jìn)大城市的新居，和一只住在閣樓上、能舞會(huì)唱的鱷魚成為好朋友的奇遇故事。自帶歡樂屬性的鱷魚萊萊治愈了難以適應(yīng)新環(huán)境的喬什，喬什也努力消除父母對(duì)萊萊的偏見。兩小只開啟前所未有的都市歷險(xiǎn)，歷經(jīng)重重歡樂鬧劇，萊萊與普利姆一家最終成為了彼此的家人與伙伴。
奸人本色
董驃,許冠英劉父半生積蓄被奸商所騙，更在法庭敗訴，郁郁而終，死前托女兒小云找奸人家族報(bào)仇。奸人家族一早不值奸商所為，設(shè)下以奸治奸的圈套，不料簡仁與簡貴為爭小云歡心，被奸商利用……