小藍(lán)
以青少女情欲探索為主軸的《小藍(lán)》是導(dǎo)演李怡芳首部劇情長(zhǎng)片，本片從開(kāi)拍即充滿(mǎn)話(huà)題性。憑《該死的阿修羅》獲金獎(jiǎng)肯定的新生代女演員王渝萱，片中飾演懵懂的少女小藍(lán)，她在海邊與足球校草葉廷騏發(fā)生了第一次，但對(duì)方卻將她的私密照外流，讓小藍(lán)平凡的校園生活瞬間崩解。她搞不清喜歡與性愛(ài)的界線(xiàn)，并踏上了一段探索自我的旅程。電影透過(guò)情欲描寫(xiě)，直視女性自我覺(jué)醒，是今年不容忽視的新導(dǎo)演代表。
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雜交種
Angela Durazo,Nathan Schellerup,Malinda Farrington,Danny Winn,Katy BentzThe nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...
火鳳凰1978
姜大衛(wèi) (David Chiang),上官靈鳳 (Lingfeng Shangguan),岳華 (Hua Yueh)敘述日本人潛伏中國(guó)武館，化裝紅衣蒙面人，屢次暗殺立志北伐的愛(ài)國(guó)志士，后來(lái)被揭穿的懸疑武打故事。這片子真可以當(dāng)成偵破片來(lái)看，武館的人一個(gè)一個(gè)被殺，兇手究竟是誰(shuí)...
尋秦記電影版
古天樂(lè) , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰(zhàn) , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國(guó)邦 , 黃文標(biāo) , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照來(lái)自21世紀(jì)的項(xiàng)少龍（古天樂(lè) 飾）曾意外穿越，并助秦王（林峯 飾）一統(tǒng)天下，這段跨越時(shí)空的宿命糾纏將兩人緊緊捆綁，兩人也成為亦師亦友的情感羈絆。然而，在項(xiàng)少龍歸隱田園多年后，未知穿越者卻驟然降臨，大國(guó)基業(yè)陷入傾覆危機(jī)，秦王不得不求助于早已不問(wèn)世事的項(xiàng)少龍。面對(duì)足以顛覆歷史的強(qiáng)敵，他們能否放下芥蒂聯(lián)手抗敵？那段摻雜著師徒之恩、君臣之畏與知遇之情的情感，又將成為保護(hù)彼此的鎧甲，還是刺向?qū)Ψ降睦校?
公寓管理員
帕特里克·約翰·弗呂格,方·基默,路易莎·克勞瑟,保羅·本-維克托,尤爾·瓦斯克斯,梅麗莎·博洛納,金·迪萊克特,阿曼達(dá)·沃倫,斯坦·德米多夫,盧克·愛(ài)德華茲,艾麗克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奧基里特·奧諾多瓦Saban Films拿下方·基默、帕特里克·約翰·弗魯格(《芝加哥警署》)主演影片[公寓管理員](The Super，暫譯)北美發(fā)行權(quán)。導(dǎo)演施特凡·里克([月之陰面])，編劇約翰·J·麥克勞克林([黑天鵝])，故事圍繞一位公寓管理員調(diào)查紐約一棟豪華公寓住客失蹤案展開(kāi)。迪克·沃爾夫(《法律與秩序》)擔(dān)任制片。
超凡世界
約翰·邁爾斯,Géza R?hrig,邁克爾·古爾德,海莉·卡邁克爾,奈德·丹內(nèi)利,赫立德·阿卜杜拉,艾力克·高敦,塔尼婭·雷諾茲,塔格·墨菲,揚(yáng)·貝弗特,凱特·迪基,薩姆·盧維克,阿德里安·勞林斯,Slavko Labovic,喬納森·凱斯,伯恩·戈曼,西蒙·曼勇達(dá),蒂姆· 普萊斯特,道格拉斯·羅素,拉多米爾·尼科利奇帶觀眾走入衰敗中的歐洲，來(lái)一趟超凡之旅。集結(jié)了黑色幽默和奇幻故事，講述一群人在碰上了一位陌生人之后，他們的生活開(kāi)始崩壞。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster