勞德代爾
"Porky"暫無內(nèi)容style暫無內(nèi)容teen暫無內(nèi)容comedy暫無內(nèi)容with暫無內(nèi)容plenty暫無內(nèi)容of暫無內(nèi)容gross暫無內(nèi)容out暫無內(nèi)容jokes暫無內(nèi)容and暫無內(nèi)容nudity.暫無內(nèi)容A暫無內(nèi)容nerd暫無內(nèi)容and暫無內(nèi)容his暫無內(nèi)容out-of-control暫無內(nèi)容friend暫無內(nèi)容chase暫無內(nèi)容a暫無內(nèi)容dream暫無內(nèi)容girl暫無內(nèi)容to暫無內(nèi)容a暫無內(nèi)容beach暫無內(nèi)容on暫無內(nèi)容Florida暫無內(nèi)容where暫無內(nèi)容all暫無內(nèi)容the暫無內(nèi)容expected暫無內(nèi)容carrying暫無內(nèi)容on暫無內(nèi)容occurs.
劇情簡介
"Porky"暫無內(nèi)容style暫無內(nèi)容teen暫無內(nèi)容comedy暫無內(nèi)容with暫無內(nèi)容plenty暫無內(nèi)容of暫無內(nèi)容gross暫無內(nèi)容out暫無內(nèi)容jokes暫無內(nèi)容and暫無內(nèi)容nudity.暫無內(nèi)容A暫無內(nèi)容nerd暫無內(nèi)容and暫無內(nèi)容his暫無內(nèi)容out-of-control暫無內(nèi)容friend暫無內(nèi)容chase暫無內(nèi)容a暫無內(nèi)容dream暫無內(nèi)容girl暫無內(nèi)容to暫無內(nèi)容a暫無內(nèi)容beach暫無內(nèi)容on暫無內(nèi)容Florida暫無內(nèi)容where暫無內(nèi)容all暫無內(nèi)容the暫無內(nèi)容expected暫無內(nèi)容carrying暫無內(nèi)容on暫無內(nèi)容occurs.
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紐倫堡
羅素·克勞,拉米·馬雷克,利奧·伍德爾,邁克爾·珊農(nóng),理查德·E·格蘭特,科林·漢克斯,約翰·斯拉特里,瑞安·施密特,洛特·弗貝克,馬克·奧布萊恩,安德烈亞斯·皮特斯柯曼,史蒂文·佩西,莉迪亞·佩克漢,丹·凱德,羅德里克·希爾,保羅·安東尼·巴伯,唐納德·薩基·馬凱,沃爾夫?qū)と麪柲?杰瑞米·惠勒,菲利普·雅克改編自《納粹與精神病醫(yī)生》，聚焦二戰(zhàn)結(jié)尾，紐倫堡法庭對(duì)德國勞工陣線領(lǐng)導(dǎo)人羅伯特·萊伊的審判(其后來在獄中自殺)，以被委任來對(duì)納粹頭領(lǐng)們進(jìn)行評(píng)估的美軍精神科醫(yī)生Douglas Kelley的視角展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鐵肺
馬克·費(fèi)施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾希·洛夫洛克,艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷影片改編自2022年的同名獨(dú)立恐怖游戲。背景設(shè)定在名為“The Quiet Rapture”的末日之后，一名囚犯被迫深入血紅色的海洋，駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。
禁果
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz在一家名為“自由伊甸園”的商店里。店員“蘋果”、“櫻桃”和“無花果”私下維持著一個(gè)神秘的女巫社團(tuán)，而新入職店員“南瓜”的出現(xiàn)，開始讓這份姐妹情誼遭受質(zhì)疑。面對(duì)新人的挑戰(zhàn)，這群各懷鬼胎的女性不得不直面潛藏心底的幽暗，沖突也隨之演變成血腥的暴力。
情婦
約翰·馬加羅,琪森·哈蒙,艾莉亞·馬佐爾夫Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.
萬圣節(jié)傳說
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喪尸特警
特里特·威廉斯,喬·皮斯科波,琳賽·福斯特,達(dá)倫·麥克加文,文森特·普萊斯,克萊爾·科克奈爾,陸錫麒,羅伯特·皮卡多,梅爾·斯圖爾特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里維斯兩位壯漢刑警在調(diào)查一起銀行劫案時(shí)，發(fā)現(xiàn)犯罪分子居然個(gè)個(gè)刀槍不入。根據(jù)線索，他們找到一家公司，似乎最近的很多案件都和這家公司的一個(gè)秘密實(shí)驗(yàn)室有關(guān)。后來，此兩位硬漢在與犯罪分子的斗爭中不幸相繼殉職，但這恰好給他們創(chuàng)造了機(jī)會(huì)——兩個(gè)人亦成為試驗(yàn)品，他們的尸體即將被一個(gè)懷揣著極大陰謀的邪惡博士所利用……然而，哼哼，英勇的人民公安是不會(huì)向犯罪集團(tuán)低頭的，you can't keep a good cop dead！