網(wǎng)中魚
美國1996年R級艷情片,已屆中年,魚行老板娘網(wǎng)到一尾與兒子同齡的情郎魚.喬和貝蒂跑魚市場,已經(jīng)陷入了一個舒適、 如果有點枯燥的生活。輸入流浪漢尼克,需要在商店的工作和一個地方,在他們的家。他的收益喚醒喬的希望在未來,以及貝蒂的性激情。直到他們的兒子 Danny 返回家及通告所做的更改...
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安身何處
比爾·薩奇,埃迪·法可,Tatiana Abracos,Aida Johaness,杰·托馬斯,Jade Golden象山發(fā)光事件
小沈陽,王唯,張登平,倪景陽,田理,董芷依,胡涂,李歐,孟和烏力吉愛的證明2025
艾拉·朗夫,莫妮亞·喬柯里,諾埃米·洛夫斯基,埃米·朱爾茲科,朱利安·加斯帕-奧利維里,珍妮·亨利,奧德·佩潘,菲利普·佩特,安娜·勒尼,艾米莉·布里沙文,哈姆·格雷亞,湯姆·哈拉里,伊娃·霍爾特,保利娜·貝爾,費利克斯·基賽勒,哈姆扎·梅茲亞尼,愛德華·蘇皮斯,梅洛迪·波寧,羅安妮·塞古倫,瑪麗安妮·杜布特牙狼大河
北田祥一郎,神嶋里花,波岡一喜,ひょうろく,肥後克広,瀨戶利樹,影山浩宣,大西雅樹53個周日
亞歷山德拉·希門內(nèi)斯,卡門·馬奇,哈維爾·古鐵雷斯,哈維爾·卡馬拉陰陽眼見子2025
原菜乃華,久間田琳加,奈葉,山下幸輝,堀田茜,吉井憐,高岡早紀,京本大我,瀧藤賢一同類推薦
黑心鬼
陳友,梅艷芳,午馬,葉德嫻,莫少聰黑心鬼(午馬 飾)原是百年前的善長人翁,好事做盡,卻令田地善惡不平衡,故被罰在陽間害九名貪心之人后方可投胎;陳康泰(陳友 飾)誤放出尿壺中的黑心鬼,被贈予三個愿望,試驗其是否貪心之人??堤┲苄浅剑俾?飾)替兄頂罪而被解雇,寄居兄長家中,被惡嫂梅賽花(梅艷芳 飾)逼做男傭,因而邂逅女鬼梅蘭花(梅艷芳 飾),另一方面,黑心鬼限期將至,決定完成康泰最后愿望后便取其性命,康泰能否度過此劫……
薩利姆鬼屋事件
小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone新警長一家住進了免費的一個很大的老房子里,但里面卻有.... The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
宇宙護衛(wèi)隊:百變流星
李靖,劉妤姻子,劉蕊,姜英俊達爾文星球的晴天霹靂解封曾企圖占領(lǐng)地球的恐龍三人組,組成超甲恐龍隊,從赤道的熱帶雨林開始冰凍地球。護衛(wèi)隊收到總部指示,阻止超甲恐龍隊。關(guān)鍵時刻,隊員流星又遇到了困境,這次他能拯救同伴,保護地球嗎?
下女1960
金振奎,朱曾女,李恩心,嚴鶯蘭某紡織廠的音樂部教師東植對錦川發(fā)生的一起殺人事件表示出極大的興趣?! ∧程?,東植從女工郭善英處收到一封情書,并向舍監(jiān)告發(fā),善英被工廠開除。曾鼓勵善英寫信的朋友趙慶熙借著鋼琴輔導的契機開始出入東植家。為了貼補家計,東植妻子做了很多裁縫活兒,身體越來越虛弱。東植委托慶熙尋找到一名合適的下女,幫助持家。妻子懷孕回娘家的當下,慶熙借機向東植表達了愛意,卻受到辱蔑被攆了出去。這一切都被窗外的下女看到眼里。下女借機誘惑東植,并與之發(fā)生了肉體關(guān)系。三個月后,下女懷孕。東植的妻子知道真相后,將下女推下樓梯,導致流產(chǎn)。失去孩子的下女怒火中燒,性情開始變得暴烈。結(jié)果,下女將東植夫婦倆的孩子也推下樓梯,藏了起來。下女以向工廠曝光所有事實相要挾。為了保住整個家庭,東植將二層的房間讓給下女。最后,準備和下女一起吃耗子藥自殺的東植看到死在臺階上的下女,毅然拋棄了她,重新回到了妻子身邊。這時,電影畫面再次回到東植夫婦看著有關(guān)那起殺人新聞的畫面,東植不禁說道:這樣的事情有可能發(fā)生在任何一個人的身上。