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劇情簡介
小六長期臥底在臥底毒販張克帆的組織里,一天當(dāng)張?jiān)诮灰讜r(shí),陳港姐長率領(lǐng)大隊(duì)人馬趕到,錯(cuò)手殺死強(qiáng),小六才得以脫離臥底生涯,準(zhǔn)備攜子共享天,不料六郤在此時(shí)遭到莫名殺害
同類好片
圍困3
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚(yáng)諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir三聲再見
阿爾芭·羅爾瓦赫爾,埃利奧·杰曼諾,弗朗切斯科·卡里爾,西爾維婭·達(dá)米科,加拉泰亞·貝露琪,薩莉塔·喬德霍里,洛倫佐·特倫齊,索菲婭·德利婭,斯蒂法諾·布拉奇,彼得羅·斯帕沃利,孫克古·鄭,馬泰奧·卡洛馬尼奧,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰瑪,亞歷山德羅·洛·卡塞托,科西莫·德西伊,特奧多羅·吉安班科,朱利婭·瓦倫蒂,托馬索·阿爾納爾迪上帝陰影下
馬克·奧布萊恩,杰奎琳·拜爾斯,Shaun Johnston,喬什·克魯達(dá)斯,阿德里安·霍夫,戴維·哈索姆,Cara Azevedo百燭游戲
Magui Bravi,Luz Champané,Amparo Espinola,克拉拉·科瓦西奇,Agustin Olcese,Amy Smart,James Wright英雄三元里
嚴(yán)屹寬,劉秋實(shí),孫昊,聞?dòng)?王光輝,孫蛟龍,陶奕希,方洋飛,文東俊,李圣雄,王禹森,呂文軍,陸豐,愛多,馬鐵摩絕錄求生
吳超,孫驍瀟,吳楚,馮波,王思思,安琥,國慶,劉波導(dǎo)演精選
木匠之子
羅馬帝國統(tǒng)治下的埃及,一個(gè)家庭為躲避追殺而隱秘生活。家中年輕的兒子(被稱為“男孩”)開始對(duì)自己的監(jiān)護(hù)人(被稱為“木匠”)的身份和教誨產(chǎn)生深深的懷疑?! ∧泻Ⅲw內(nèi)沉睡著某種神秘而強(qiáng)大的超自然力量。隨著他的成長與反叛,這股力量開始覺醒并失控。每當(dāng)他動(dòng)用一次能力,就會(huì)打破現(xiàn)實(shí)的脆弱平衡,招致更可怕的反噬——他們不僅要面對(duì)羅馬士兵的世俗威脅,更要遭遇因褻瀆神明而引發(fā)的、超越自然規(guī)律的恐怖現(xiàn)象:尼羅河水逆流、沙暴中浮現(xiàn)古老邪靈、瘟疫以超自然的方式蔓延…… 這個(gè)家庭被迫在雙重恐懼的夾縫中求生:一邊是外部世界的追捕,另一邊是來自男孩自身力量的、逐漸失控的神性(或魔性)災(zāi)難。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
超重警官
自從因?yàn)樘肿ゲ坏綋尫硕巧项^條,“阿康”和他三個(gè)朋友就成了泰國警界的恥辱。這四個(gè)胖警察必須在三個(gè)月內(nèi)甩掉肥肉,否則就會(huì)被懲處!當(dāng)美麗的尊巴舞教練“小敏”加入之后,訓(xùn)練變得令人興奮。然而,搶案持續(xù)發(fā)生,一臺(tái)銀行運(yùn)鈔車被搶后損失慘重,歹徒卻沒有留下任何線索。四位警探必須在塑身的同時(shí)偵查犯罪,減肥期限將近,但犯案之謎卻仍未解開。這幾個(gè)超大條的家伙,要如何保住他們的飯碗呢?