邪惡的叔叔

★ 9.1 播放：08萬(wàn) 更新：2026-04-30

這部劇中劇的故事設(shè)置在瑞士某小鎮(zhèn)。前十項(xiàng)全能賽冠軍阿明Armin（約爾格-海因里希 本廷飾）應(yīng)邀舉辦了一個(gè)女生奧運(yùn)體能訓(xùn)練班。他的訓(xùn)練既科學(xué)也武斷，不乏強(qiáng)制性的全L體訓(xùn)。這種肉身相袒的FKK日常生活和訓(xùn)練在日耳曼語(yǔ)系國(guó)家雖說(shuō)司空見(jiàn)慣，但在瑞士的邊緣化小鎮(zhèn)并不被有些人接受，因而偶有小糾紛。有一天，訓(xùn)練班女學(xué)員扎斯基婭Saskia（保拉施拉姆飾）的單親母親特麗克絲Trix（米麗婭姆雅普飾）堅(jiān)持認(rèn)定身為體育輔導(dǎo)員的阿明對(duì)女兒扎斯基婭進(jìn)行了性侵犯，并對(duì)他進(jìn)行司法訴訟。特麗克絲所聲稱(chēng)的這宗事件，引起了全鎮(zhèn)的憤怒?？墒牵豢馗娴娜水吘故乔叭珖?guó)冠軍這樣的知名人物，尤其是在為當(dāng)?shù)氐呐嗄陞⒓訆W運(yùn)會(huì)選拔人才...... 　　

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劇情簡(jiǎn)介

這部劇中劇的故事設(shè)置在瑞士某小鎮(zhèn)。前十項(xiàng)全能賽冠軍阿明Armin（約爾格-海因里希 本廷飾）應(yīng)邀舉辦了一個(gè)女生奧運(yùn)體能訓(xùn)練班。他的訓(xùn)練既科學(xué)也武斷，不乏強(qiáng)制性的全L體訓(xùn)。這種肉身相袒的FKK日常生活和訓(xùn)練在日耳曼語(yǔ)系國(guó)家雖說(shuō)司空見(jiàn)慣，但在瑞士的邊緣化小鎮(zhèn)并不被有些人接受，因而偶有小糾紛。有一天，訓(xùn)練班女學(xué)員扎斯基婭Saskia（保拉施拉姆飾）的單親母親特麗克絲Trix（米麗婭姆雅普飾）堅(jiān)持認(rèn)定身為體育輔導(dǎo)員的阿明對(duì)女兒扎斯基婭進(jìn)行了性侵犯，并對(duì)他進(jìn)行司法訴訟。特麗克絲所聲稱(chēng)的這宗事件，引起了全鎮(zhèn)的憤怒?？墒?，被控告的人畢竟是前全國(guó)冠軍這樣的知名人物，尤其是在為當(dāng)?shù)氐呐嗄陞⒓訆W運(yùn)會(huì)選拔人才...... 　　

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

情報(bào)2025

　　Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.

荷蘭人

 Set on a New York subway, The Dutchman centers on an encounter between a well-to-do Black man and an enchanting white woman who match wits in a sexualized game of cat and mouse that leads to a violent conclusion.