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鬧鬼校園
中山優(yōu)馬,島崎遙香,大野拓朗,高橋瑪莉潤(rùn),安井謙太郎,大和田伸也自幼能夠看到恐怖幽靈的八神森司（中山優(yōu)馬 飾），在高中時(shí)邂逅了被神秘鬼影糾纏的后輩小歷（島崎遙香 飾）。他雖然喜歡對(duì)方，卻由于自身膽怯的性格始終無(wú)法表白。第一年沒(méi)有考上大學(xué)，經(jīng)過(guò)一番努力森司如愿進(jìn)入期望的高校，并且和小歷重逢。在此期間，他聽(tīng)說(shuō)小歷和童年好友加入了某個(gè)超自然研究會(huì)，聯(lián)想到高中的事件，森司無(wú)法對(duì)小歷放任不管，于是也硬著頭皮加入進(jìn)去。這群個(gè)性滿滿的年輕人每天追蹤各類神秘事件，不久后校園內(nèi)開(kāi)始出現(xiàn)離奇現(xiàn)象，而小歷也成為惡靈狙擊的目標(biāo)…… 本片根據(jù)第19屆日本恐怖小說(shuō)大獎(jiǎng)讀者獎(jiǎng)獲得者櫛木理宇的同名作品改編。
反恐疑云
杰克·吉倫哈爾,瑞茜·威瑟斯彭,梅麗爾·斯特里普,艾倫·阿金,彼得·薩斯加德,奧瑪爾·梅特瓦利,艾格爾·納爾,哈達(dá)爾·拉特松·羅滕,J·K·西蒙斯,西蒙·阿布卡瑞安,莫阿·庫(kù)阿斯,奇內(nèi)布·烏凱什,阿拉米斯·奈特,Rosie Malek-Yonan,穆尼爾·馬戈姆,鮑勃·岡頓,雷曼德·阿薩雷米,Wendy Phillips,Christian Martin,哈薩姆·甘西,納吉布·尼西里,芭妮·里維拉,安妮·貝坦克特,理查德·多頓,Floella Benjamin,Michael Dube,斯蒂夫·湯姆,羅伯埃及裔美國(guó)人安瓦?艾爾?伊布拉西米（奧瑪爾?梅特瓦利 飾）大約二十年前，從埃及移民到了美國(guó)，與漂亮的美國(guó)姑娘伊莎貝拉?菲爾茲（莉絲?維瑟斯彭 飾）成了家，夫妻恩愛(ài)生活美滿，育有一子，伊莎貝拉肚子里的第二胎也日漸成型。 某日，安瓦?艾爾?伊布拉西米從南非出差回來(lái)，在華盛頓機(jī)場(chǎng)被神秘的黑衣人帶走，原因是中央情報(bào)局認(rèn)為身為化學(xué)品工程師的安瓦?艾爾?伊布拉西米是恐怖分子，想從他口中撬出有用的情報(bào)。倒霉的安瓦被“引渡”至埃及的開(kāi)羅，交由駐扎在當(dāng)?shù)氐闹星榫痔絾T道格拉斯?弗里曼（杰克?吉倫哈爾 飾）和老奸巨猾的當(dāng)?shù)靥絾T審訊?！ ×硪环矫妫響蚜椎囊辽惱?，堅(jiān)信丈夫是無(wú)辜的，四下奔走，努力尋找丈夫的下落。期間，她雖然幸運(yùn)地獲得舊情人（彼得?薩斯加德 飾）的幫助，但終究不足以國(guó)家強(qiáng)勢(shì)機(jī)構(gòu)對(duì)抗，一籌莫展?！ ∨c此同時(shí)，剛剛?cè)胄胁痪玫奶毓さ栏窭?弗里曼，在目睹了CIA同事們對(duì)安瓦進(jìn)行的非人道審訊時(shí)，也面臨著良心的拷問(wèn)。 安瓦是不是恐怖分子？伊莎貝拉能否和丈夫團(tuán)圓？中情局新手道格拉斯?弗里曼，究竟在這場(chǎng)暗戰(zhàn)中發(fā)揮了怎樣的作用？對(duì)這一切疑問(wèn)的解答，必將引向?qū)Α耙伞闭叩闹匦聦徱暋?/p>
飲食男女1994
郎雄,楊貴媚,吳倩蓮,王渝文,張艾嘉,歸亞蕾,趙文瑄,陳昭榮,陳捷文,盧金城,唐語(yǔ)謙,洪其德,王瑞,杜滿生,王玨,陳妤,左正芬,許敬民,聶卓晶,丁仲臺(tái)灣中國(guó)菜碩果僅存的大師老朱（郎雄）退休后，漸嘗老年生活的諸多尷尬：每周日費(fèi)心做出的一桌豐盛菜肴，并無(wú)將三個(gè)女兒（楊貴媚、吳倩蓮、王渝文）齊齊拉到飯桌的吸引力，已經(jīng)長(zhǎng)大成人的她們，心里藏了許多比陪父親吃飯更重要的事；多年老友的突然離世，令他在友情這塊也有了缺口；而對(duì)廚師來(lái)講最重要的味覺(jué)的喪失，則將其徹底推到人生的低谷。三個(gè)女兒雖各忙各事，卻也操心著老朱的晚年生活，計(jì)劃著為其找個(gè)老伴，但她們沒(méi)料到老朱早已悄無(wú)聲息地談起了“黃昏戀”。吃驚過(guò)后，老朱最看重的繼承了他做菜天賦的二女兒家倩因?yàn)樽陨淼纳罱?jīng)歷，對(duì)父親、她與父親的關(guān)系有了新的認(rèn)識(shí)，而對(duì)老朱來(lái)講更大的驚喜，還在后面。
上天救命
曾志偉,鐘楚紅,吳耀漢,胡楓,何思嘉,秦沛,秦祥林,黃韻詩(shī)麥道梅（曾志偉 飾）人如其名，一生歷經(jīng)坎坷無(wú)數(shù)，去內(nèi)衣廠工作就連累企業(yè)業(yè)績(jī)直線下滑，談女朋友就被拋棄，連累的三十多歲的家姐至今未嫁。無(wú)奈的姐姐拿出了家傳的玉鐲贈(zèng)與一事無(wú)成的麥道梅，希望幫他轉(zhuǎn)運(yùn)，抑郁的麥道梅酒后駕車，被人撞下高坡，迷迷糊糊見(jiàn)到了牛頭馬面，此二鬼卒告知麥道梅陽(yáng)壽未盡，在王百萬(wàn)、包黛麗、石神三人身亡之后即是他麥道梅之死期……清醒過(guò)來(lái)的麥道梅馬上遇上了被撕票的富翁王百萬(wàn)，而石神便是綁架王百萬(wàn)的案犯之一，而包黛麗則是石神的女友，為了自救，麥道梅試圖保護(hù)包黛麗和石神，因此卷入了這起綁架案，而石神的妹妹石女（鐘楚紅 飾）更是令麥道梅心動(dòng)。未知麥道梅如何自救，又怎樣贏得石女芳心？
養(yǎng)鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當(dāng)·費(fèi)森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬(wàn)諾維奇,伊沃娜·庫(kù)斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇經(jīng)典恐怖片《養(yǎng)鬼吃人/猛鬼追魂》將拍新版電影，近日定下導(dǎo)演：大衛(wèi)·布魯克納(《黑森靈》《鬼作秀》)?！ ≡嬷v述男子Frank不慎打開(kāi)了另一個(gè)次元，被著名惡鬼“針頭鬼”帶領(lǐng)的魔鬼Cenobites所殺。而多年后，F(xiàn)rank的哥哥Larry帶著妻子Julia，搬到了他已故的媽媽的老宅中，因?yàn)橐淮我馔?，Larry的血讓Frank的尸體重生，也讓惡鬼降臨……后成了一個(gè)系列。新版將從系列第一部開(kāi)始重啟，據(jù)稱將在忠于原版的基礎(chǔ)上有進(jìn)化?！ pyglass媒體公司打造。Ben Collins和Luke Piotrowski編劇，大衛(wèi)·S·高耶(《蝙蝠俠：黑暗騎士三部曲》《刀鋒戰(zhàn)士》)提供故事并參與制片，這個(gè)導(dǎo)演、編劇、制片組合也就是今年圣丹斯電影節(jié)的熱門(mén)恐怖片《鬼屋》的班底。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.